Arts, Drama, History

Lateral Thinking Drama & Whodunnit: The Caryatids

LATERAL THINKING DRAMA: PUZZLE CONUNDRUM

TAKING a deep breath, Oliver James knocked on his father’s office door and went in.

“Ah, there you are, m’boy.” At 6ft Cameron James was just a little shorter than his son, but where Oliver was trim, his father had the broad power of a man who’d spent most of his life handling large amounts of stone and brick. “Come in, come in. Jacob and I were just discussing ornamentation for the Southwell building. Thought maybe you could lend a hand.”

Oliver winced, and braced himself. Cameron still hadn’t come to terms with his son’s preference for architectural design over actual construction, and the lectures about his future were getting tediously frequent.

“Do you remember Pick & Sons, Oliver?” Now in his forties, Jacob York had been his father’s right-hand man for as long as Oliver could remember. He at least was on Oliver’s side regarding architecture.

Oliver nodded.

“Cruz has a line on a couple of Roman statues at a very good price,” Cameron said.

“Maybe too good,” Jacob added.

“Maybe, maybe,” said Cameron. “But if not, they’d fulfil Southwell’s requirements for the frontispiece and then some, considerably under budget as well. You’ve got a good eye, Oliver. I thought maybe you’d give us your opinion on the matter.”

A relieved Oliver said he’d be delighted to help.

“Pull up a seat,” Cameron said, waving at the pile of paperwork on his desk.

A pair of Diocletian caryatids.

Oliver sat down and ran his eye over the details. According to the papers, the statues were a matched pair of elegant caryatid columns from the region of the Roman emperor Diocletian, in surprisingly good condition. The date of construction was clear, since the sculptor had marked the bases with his own name, Emperor Diocletian’s full titles, and the year, AD 302. That year marked the start of the emperor’s bloody persecution of the Christians, during which every Roman citizen was compelled to offer sacrifices to the Greek gods. Some venues had undoubtedly been constructed for the purpose, and caryatids – supporting columns in the form of a woman – while not common in Roman times, were not unheard of either.

From the pictures that had been included, the statues looked as if they were made from marble. There was some wear and tear – it would have been miraculous if there hadn’t been – but even so, the pieces could quite easily have been in a museum.

Oliver looked up. “Where did Pick find them?”

“He got them from a Turkish fellow,” Cameron said. “The man said that they’d been sold to him by an Ottoman pasha who’d fallen on hard times, having had them in his family since the time of the Seljuks in the 13th century.”

“There is some supporting documentation,” Jacob said.

“Well, it’s not totally impossible for a couple of Diocletian pieces to have survived in private collections,” Oliver said. “Diocletian was in Antioch for several years, up to AD 302 at least. I can see temples being raised in his name, and then statuary being purloined later, as the empire shrank. In this case, however, I feel comfortable saying that those pieces are absolutely and definitely fakes. Sorry, father.”

How can Oliver be so sure?

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Arts, Drama, Legal

You Be The Jury: The Case of The Sleeping Prisoner

The Presiding Judge

. Similar The Case Of The Flying Toy…

LADIES AND GENTLEMEN OF THE JURY:

Escape from jail is a serious crime, even if the person was first arrested for a minor offence.

Such is the case before you today. Since we are in criminal court, the State is the accuser.

The State contends that Soney Najac, who was arrested for sleeping on a park bench, broke out of jail. But Mr Najac claims his cell door was unlocked. He just pushed it open and walked out.

The police officer, Constable Thomas Nash, testifies as follows:

“It was about two o’clock in the morning and I was making my rounds in Vernon Park. No one is supposed to be there after dark.

“I was walking along when I heard a strange sound. At first, I thought it might be thunder, but it was a starry night without any clouds. Then I realised what the sound was. Someone was snoring. I turned on my flashlight and there was this man on a bench. He was sound asleep.

“I tried to wake him without success. I couldn’t leave him there, so I figured that the best thing to do was to strap him on to my motorcycle and drive down to police headquarters.”

The stranger’s wallet provided more information. His name was Soney Najac and the address inside showed he was from a foreign country.

The constable continues his testimony:

“The man was still asleep when I got to the station, so I carried him into a cell. It was my turn for night duty and I relieved the officer in charge.

“At about six o’clock that morning, I went to the coffee shop around the corner to bring back some coffee and delicacies. It couldn’t have taken more than a few minutes.

“When I got back, I was shocked to find the cell door open. The prisoner had escaped.”

All police were alerted. That afternoon Soney Najac was arrested, but he was looking in a shop window. This time it was a more serious charge: escaping from jail.

The State described its theory of how Mr Najac managed his escape. EXHIBIT A is a diagram showing the inside of the police station. It has two cells. On one wall is a box containing keys. Mr Najac was in the cell nearest the wall.

Two close-up photographs showing the key box are presented as EXHIBIT B. They show the box both open and closed. Each key is hanging on a large ring. If someone in a cell had a long pole, it would be possible for him to reach the key box.

This, the State contends, is how the breakout occurred. It enters as EXHIBIT C a photograph showing a broom that was found near Soney Najac’s cell.

The State believes that the prisoner grabbed the broom, reached over to the box, and caught the keyring on one end. This was his means of escape.

I will now read from the cross-examination of Constable Nash by Mr Najac’s court-appointed lawyer:

Q How can you be sure the cell door was locked?

A I have been a policeman in this town for fifteen years. In all that time I never left a cell unlocked. What makes anyone think I did it this time?

Q Did you find the door to the key box closed following the prisoner’s departure?

A It had to be. The door is on a spring and it swings closed automatically.

Q Then how was it possible for Mr Najac to use the broom to loop the key?

A That’s not hard to do. The ring on the front of the box can be pulled open with the broom handle. Then you can quickly catch the big keyring on the end of the broom before the door shuts. I know it can be done. I’ve tried it myself.

 

Soney Najac testified on his own behalf. Since he could not speak English, his testimony was presented through an interpreter.

“My name is Soney Najac. I arrived in your country just two weeks ago. A friend told me I might find a job in this area. So, I took a bus to your town.

“I was tired from the trip and didn’t have much money. When it got dark, I walked into the park and saw a bench. I hadn’t had much sleep for the past few days, so I lay down on the bench for the night.

“When I woke up, I didn’t know where I was. All I knew was that I was in this room with bars. No one else was around.

“I stood up and leaned against the door. It started to move, so I pushed it open and walked out. I never knew I had been arrested.”

Mr Najac’s lawyer continues his defence:

“As proof that Mr Najac did not use a key to escape from his cell, your attention is again drawn to EXHIBIT B. This photograph was taken shortly after the alleged breakout occurred.

“You will note the keys to both cells are hanging on their hooks. If Mr Najac had used the key to escape, it is unlikely that he would have taken the time to put it back on its hook.

“The State’s theory of the escape is hard to believe. The truth is simply this: Soney Najac woke up, didn’t know where he was, found the cell door open – and just walked out!”

 

LADIES AND GENTLEMEN OF THE JURY:

You have just heard the Case of The Sleeping Prisoner. You must decide the merit of the State’s accusation. Be sure to carefully examine the evidence in EXHIBITS A, B, and C.

Did Soney Najac escape from jail using a key? Or, did he just walk out through the unlocked door?

EXHIBITS:

 

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Arts, Drama

Lateral Thinking Drama: Highly Strung

 

Alfonzo the Magnificent bowed to the audience. He put his hands into the bowel of chalk and clapped them together. The band stopped playing and the drum-roll began. All the spotlights were fixed on Alfonzo as he began to climb the ladder up to the platform thirty feet in the air.

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Waiting for him at the top of the ladder was his beautiful assistant, Clara, dressed in a pink bodysuit and wearing a crown of white ostrich feathers. When he stepped onto the platform, she handed him the balancing pole. The drum-roll ceased, and a hush fell over the crowd. The air was hot and humid at the top of the circus tent, and Alfonzo gave Clara the signal to wipe his brow with a lace handkerchief. She then dangled the handkerchief in mid-air, at the end of her long, outstretched fingers and let it drop slowly to the ground. There was no safety net to catch the flimsy, white square as it floated down to the ring below, and people shifted nervously in their seats, craning to get a better look at the little man in the black tuxedo perched like a penguin in the sky.

The circus master tapped the end of his microphone and circled the ring, flicking the electrical cord like a whip. “Tonight, ladies and gentlemen, Alfonzo the Magnificent, tightrope walker extraordinaire, will perform a death-defying feat. There is no safety net to catch him if he falls, so I urge the audience to remain quiet throughout, and please refrain from taking any pictures as the flash might distract our performer. Good luck, Alfonzo. Now on with the show!”

Creative Writing

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Alfonzo looked straight ahead. He slid a slippered foot onto the wire and adjusted the pole in his hands. He slid his other foot out and steadied himself. He slowly raised his left foot and circled it around his right, then slid it forward. He heard a man cough in the darkness below him but continued to stare straight ahead. When Alfonzo reached the centre of the wire, he stopped. He raised himself onto the balls of his feet, threw his pole into the air and the crowd gasped. Alfonzo spun around, then caught the pole again. He teetered to one side, tottered to the other, while the audience below oohed and aahed. He managed to stabilise himself and continued on towards the other platform. When he reached it, there was an explosion of cheering and whistling. Sweat broke out on Alfonzo’s forehead as he raised his hand in the air and bowed again with a flourish.

After the performance, as Alfonzo was wiping his make-up off, his old rival, Guiseppe, burst into the dressing room.

“So, you think you are the best tightrope walker in the whole of Argentina?” Guiseppe said.

“Well, they don’t call me Alfonzo the Magnificent for nothing,” Alfonzo replied. “I know how to please a crowd. It is I they want, not some third-rate amateur like yourself.”

“I am not here for insults, Alfonzo. I came here to challenge you to the tightrope duel of your life. I dare you to meet me at the Plaza Maria on Thursday week, at midnight, where we will judge, once and for all, who is the best.”

“I am the best!” Alfonzo cried. “I am the best in Buenos Aires, the best in Argentina and perhaps even the best in the world!”

“Then prove it,” Guiseppe said, slamming the door on his way out.

Nine days later, Alfonzo looked at himself in the mirror and adjusted his bow tie. It was eleven o’clock on Thursday night, one hour before the duel. He picked up his pole and his bucket of chalk and headed for the door. He felt a slight foreboding but chose to ignore it.

As he approached the Plaza Maria, he could hear the crowd that had gathered to watch. He turned a corner and saw the plaza at the far end of the street. There were lights strung up between the buildings, and high above the square, Alfonzo saw the silver wire gleaming like a blade between the cathedral spire and the balcony of the Italian Embassy building. In the centre of the plaza, a man on a unicycle was juggling tenpins. As he got closer, he saw a woman with a snake wrapped around her shoulders.

When Guiseppe arrived, they tossed a coin to see who would go first. It landed heads up, and Alfonzo prepared himself to climb the ladder. He dusted his hands and looped the pole through his belt at the small of his back. He took one step and paused, then continued his ascent. The wire was a hundred feet up in the air and it took Alfonzo five and a half minutes to reach the top. When he stepped onto the slanted roof of the cathedral spire, he noticed a chill in the air. He could not hear the crowd for the wind in his ears.

From the ground, Guiseppe watched Alfonzo pull the pole out from under his belt and lay it across his hands. Alfonzo waited for a moment and then slid one foot out onto the wire. Just as he was about to lift his other foot, his body jerked, and the pole slid through his hands. He bent to retrieve it, but it was too late. It had started to slide down the roof. It slipped off the edge and fell down into the crowd. Alfonzo turned and started back down the ladder.

When he got to the bottom, Guiseppe was waiting for him.

“What on earth are you doing?” he screamed.

“I can’t go on like this,” Alfonzo said, pushing Guiseppe aside and striding off through the plaza and down a main street. Guiseppe set off after him.

Alfonzo stopped in front of the entrance to a bar and looked up at the sign. The bar belonged to a friend of his, and he opened the door and walked in. He walked over to the counter and ordered a glass of water. The bartender smiled knowingly at him, took a revolver out from under the bar and shot a bullet into the ceiling. After waiting a few moments, Alfonzo thanked his friend and they shook hands. He turned and left the bar without taking a sip of his water.

Why did the bartender shoot the ceiling, and why did Alfonzo thank him? 

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