Russia, Syria, United Nations, United States

Was the attack in Idlib province really sarin – and, was Assad to blame?

SYRIA

The evidence that sarin nerve gas was used against civilians in the rebel-held town of Khan Sheikhoun largely comes from reports (from Turkish doctors) who treated survivors of the Syria attack earlier this month.

Victims were choking, foaming at the mouth, defecating and vomiting – all of which are consistent with sarin use.

Sarin, a colourless, odourless liquid at room temperature, is expensive and complex to manufacture.

The two key chemical compounds – a phosphorus variant and isopropyl alcohol – are mixed near the point of use, usually hours before it is released.

This is to avoid accidents and degradation in storage. The level of sophistication required in handling sarin would suggest state involvement.

Syrian president Bashar al-Assad was supposed to have surrendered his entire chemical weapons stockpile – including sarin – to Russia after an earlier attack on an opposition-held area near Damascus in 2013. More than 1,000 victims died and only a Russian-brokered deal – with Assad agreeing to give up his chemical weapons for destruction – prevented US airstrikes then. According to some reports which have now surfaced, a consignment of sarin was missing from the stockpile handed over.

At the same time, Assad signed up to the Chemical Weapons Convention, a group of states which ban these weapons. However, chlorine gas, which produces similar symptoms to sarin, was not covered by the removal deal. And unlike sarin (which is 3,000 times more lethal) chlorine is easily accessible and has many everyday uses.

Medecins Sans Frontieres doctors, who treated some victims, have said that both a toxic nerve agent and chlorine may have been used. But until impartial experts establish whether, and what, chemical weapons were involved, sole reliance on the observations of doctors is insufficient.

Central to the issue for many is why Assad would use chemical weapons in a war that he’s clearly winning? It is a perplexing question. Since September 2015, when the Russians first intervened in Syria, Assad’s regime has made steady progress in defeating various rebel opponents, notably when his forces took Aleppo in December.

In recent days, the US has strongly suggested it was prepared to leave Assad in power, as it saw him as a potential ally in the fight against Islamic State. Syria’s military continue to categorically deny that it was responsible for the attack, but, of course, Assad has used various weapons indiscriminately against civilians, including barrel bombs (dropped from helicopters) and unfocused artillery bombardment. He has also ‘weaponised’ gases – for example, putting tear gas in shells used by police to quell rioters.

Many are likely to believe, however, that Assad would have to be insanely overconfident to have brazenly used sarin, not least because of the risk – since realised – of heavier US reprisals and greater involvement in the area. All the evidence is that this cruel and calculating man is not insane.

He has remained intent, though, on corralling the remaining rebels in Idlib province where the attack took place. This act of terror may have been a signal that he felt he could act with impunity, particularly following the call by the US Ambassador to the UN that America was no longer seeking for the Syrian president to stand down.

The natural follow-on question is if not Assad, then who was it and why?

Charges of using chemical weapons are a very useful propaganda tool to blacken the reputation of any opponent, however dark already. Conspiracy theorists will see various nefarious hands at work.

The Russians, who back Assad’s regime, claim the Syrian air force bombed chemical munitions held by rebel forces in a warehouse, which then exploded. Another claim is that it was a gas manufacturing plant.

Such a strike would probably have destroyed what sarin there was and distributed the rest over a smaller area, affecting fewer victims.

Given that the highly flammable isopropyl alcohol is one of the chemicals in sarin, a fireball might have been expected but there have been no reports of this.

The numbers of women and children caught up in the attack would also rule against a rebel-held munitions depot in the immediate area.

Sarin can be delivered via shells, but some witnesses saw ‘chemical bombs’ falling. The first reports from the site described a crater where a chemical-bearing rocket was said to have landed. There were no structural remains suggesting an explosion at a warehouse.

While it is possible that rebel forces acquired the chemicals to make sarin, or other nerve agents, these are unlikely to have been in large enough quantities to cause so many casualties.

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Britain, India, Military, NATO, Photography, Russia, United States

The T-50 and F-35 warplanes

RUSSIAN MILITARY

Sukhoi

T-50 is a joint military collaboration between Russia and India.

The Sukhoi aircraft have an impressive track record in Russian military history. The newest model, the T-50, is currently in joint development with India.

The aircraft is expertly equipped to sustain supersonic flight, better than any Russian plane built in years past. Its range at supersonic speeds is 930 miles. At subsonic speeds, it can go 2,175 miles.

It’s also deemed a versatile and aerobatic fighter jet. Its life-support system can sustain 9G manoeuvres for a period of up to 30 seconds. Meanwhile, a pilot ejection is possible from an altitude of 60,000 feet.

T 50 engine

A quarter of the aircraft’s body weight is made of composite materials that help reduce its overall weight.

Sharp angles help minimise its radar detection, making it tough to be spotted from far away distances.

The Saturn izdeliye 117 engines (pictured) provide vectored thrust for the plane. The engines originated as part of the original AL-41F program which was launched way back in 1982.


AMERICAN MILITARY

US F35

U.S. F-35 warplanes arrive at RAF Lakenheath, England.

A fleet of F-35 stealth fighter jets has arrived in Europe from the United States as part of a planned NATO exercise aimed at “deterring” Russia.

The F-35A Lightning II jets landed at RAF Lakenheath, England, having made the journey from Hill Air Force Base, Utah.

This deployment marks the first time American F-35A fighter jets have made an appearance in Europe, though a few countries already use them as part of their air fleet.

The deployment will last several weeks and is part of the European Reassurance Initiative, a US build-up of troops and weapons in Europe launched in 2014 to “deter Russian aggression.”

Though apparently scheduled months in advance, the deployment was announced as relations between Washington and Moscow have been described as “at an all-time low” by US President Donald Trump.

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Arts, Britain, Films

Film Review: ‘Another Mother’s Son’

SS CHANNEL ISLANDS

Mothers-Banner

– Captives: Susan Hampshire, Izzy Meikle-Small and Jenny Seagrove in Another Mother’s Son.

Intro: The gripping true story of how a mother risked her life to save a PoW as the Nazis’ jackboots trampled over Jersey in WWII.

THE BBC1 drama SS-GB which recently concluded, was an eerie vision of what a German-occupied Britain might have looked like in 1941. It was undermined slightly by the sound quality – ‘ve haf vays of making you mumble’.

Arriving on the silver screens now is an accurate and absorbing account of what it was actually like for British citizens to hear the stamp of Nazi jackboots on their own streets.

The German occupation of the Channel Islands has had surprisingly little cinematic attention down the years. Another Mother’s Son is a hugely welcome redress of that oversight. Moreover, it tells an extraordinary true story, that of Louisa Gould (Jenny Seagrove), a middle-aged shopkeeper in a rural Jersey village.

Shortly after receiving the devastating news that one of her own two boys had been killed at sea, she took an escaped Russian prisoner-of-war into her home, and, even as the Gestapo closed in, lavished on him the protective love of a mother for a son.

Apart from the tear-jerking human dimension of this story, it also offers a valuable history lesson. Who knew that there were barbaric labour camps for Russian PoWs in the Channel Islands? I certainly didn’t. Nor had I realised the moral depths to which a handful of the islanders sank, settling petty jealousies and grievances by writing anonymously to the occupiers, telling tales of hidden wireless sets, or worse, hidden prisoners.

As far as one can gather, and albeit with Somerset standing in convincingly for Jersey, the film sticks staunchly to the facts. Ably directed by Christopher Menaul, it is written by Gould’s great-niece Jenny Lecoat, who of course had a vested interest in getting the details right. Her remarkable kinswoman would be proud. Yet there was nothing conspicuously remarkable about Louisa. Seagrove plays her splendidly, as an ordinary, decent, careworn woman appalled by German brutality.

A fine supporting cast includes Sherlock’s Amanda Abbington as Louisa’s sister and the ever-watchable John Hannah as her brother-in-law, both very good at conveying the anxiety of people with much to be anxious about.

That eternal English rose Susan Hampshire, wearing her 79 years with ineffable elegance, pops up, too. In an oddly inspired casting choice, the Irish singer Ronan Keating plays Louisa’s brother Harold, and a caption at the end testifies to his own singular part in history.

 

BUT if the film belongs to anyone other than Seagrove, it is Bulgarian actor Julian Kostov. He is tremendously affecting in the part of the terrified, emaciated escapee, whose complicated Russian name is conveniently anglicised, in one of the film’s more light-hearted moments, to Bill.

Gradually, as Bill’s command of the English language improves and he acquires forged papers, Louisa becomes more brazen at hiding him in plain sight. He accompanies her to St Helier, and even helps out in her shop. This seems like folly, yet it’s another example of Louisa’s innate goodness; she instinctively trusted people.

Whether she was right to, I will let you find out for yourselves, but I do urge you to see a film which chronicles such an overlooked chapter of World War II. Hats off to another Bill, producer Bill Kenwright, for bringing this amazing story to public attention.

 

Another Mother’s Son (12A)

Verdict: Compelling war story ★★★★

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