BRITAIN

AMONG Britain’s greatest contributions to Western culture are press freedom and copyright law. Established side by side more than 300 years ago, they underpinned the Enlightenment, the Industrial Revolution, and much of the social change that followed.

They facilitated the free flow and exchange of ideas, opinions, literature and music, and offered legal safeguards for creators and publishers against having their work stolen or plagiarised.

Today, these sacred principles are at risk as never before.

In their headlong rush to develop all-embracing artificial intelligence systems, big-tech firms seem determined to ride roughshod over the intellectual property rights of those whose material they want to appropriate.

Musicians, authors, film and TV companies, artists and media organisations are already seeing their work lifted and used without permission. As the struggle for AI dominance intensifies, this larceny is becoming increasingly brazen.

Worse still, the UK Government appears to be taking the side of the tech giants over the creatives.

In a consultative document on possible changes to copyright law, it has proposed four options. Of these, its “preferred” option is to give a new exemption to AI firms, allowing them to develop their machine learning with copyrighted material without permission unless the holder actively opts out of the process.

Ministers have claimed such a change would give creators more control, but this is an illusion.

One of the strengths of British copyright is that it’s automatic. Works do not have to be registered to be protected from being stolen.

That means individual artists and the smallest local news sites have the same rights and protections as the largest publishers.

Permitting AI firms to take what they want unless rights have been reserved is like telling burglars they can walk into homes unless there is a note on the door asking them not to. In any case, there is no effective technical means of reserving rights and creatives will often be unaware their material has been “scraped”.

It would be far better to strengthen rather than weaken copyright legislation so it can be enforced quickly and effectively against infringements by AI developers. The onus should surely be on them not to break the law in the first place.

Everyone understands that AI is a vast and growing phenomenon which will be of enormous benefit in fields such as healthcare and business efficiency.

Many people will also appreciate the Government’s desire for Britain to be at the forefront of this technological revolution. But that cannot be used as cover to trample over crucial rights and freedoms.

Ingesting the entire output of the British music industry or mass-market news websites will not contribute anything to medical research.

Neither will it do much for our economy, as most of the profits generated by the tech companies will be taken out of the country.

It is both surprising and troubling that the Government has done no analysis of the economic impact of its proposal.

The UK has the world’s second largest creative sector, generating an estimated £126billion a year and supporting 2.4million jobs. Relaxing copyright law would cause it incalculable damage.

We also have vibrant, free and media pluralism – for now at least.

Our traditional press is in the process of rapid flux, as print gradually gives way to new digital platforms and revenue streams. But the fundamentals remain the same – to inform and entertain the public with fair, accurate, challenging and well-written journalism.

In this age of conspiracy, disinformation, and fake news, trusted sources of information and commentary are more important than ever. But it costs money to produce them, and if every article can immediately be copied without payment, then generating the revenue needed to sustain reliable journalism becomes impossible.

A free and independent media has long been a cornerstone of our democracy, but it is under very serious threat. We take it for granted at our peril.