Arts, Education, History

(Short Essay) The Agricultural Revolution

1730

ALONGSIDE the Industrial Revolution came a revolution in agriculture. When agriculture first began, selected grass seeds were sown so that gradually improved varieties with larger ears were produced; in this way wheat and barley were developed from grasses. In the same way livestock rearing used selection. The principle of selection and selective breeding was long established. It was only in the eighteenth century that they became scientific in approach, and then development became rapid. The first step in this new agricultural revolution was the invention of a seed drill by Jethro Tull in 1701. This simple device, which pioneered sowing in rows and facilitated weeding, was improved eighty years later by the addition of gears to ensure the even distribution of seed.

Charles Townshend resigned from the British government in May 1730, at the age of 56, to begin a new career as an agricultural improver. Townshend, who became known as “Turnip” Townshend, observed the progress that the Dutch farmers were making by using scientific methods, and applied what he learnt on his own estates. He found that he could keep livestock through the winter by feeding them on turnips. By reserving a field or two for growing turnips as a fodder crop, he eliminated the need to slaughter most of his flocks and herds each autumn. The animals could be kept alive through the winter and slaughtered as and when there was a demand. This development meant that for the first time within the British Isles fresh meat became available all the year round. It also reduced the need to use expensive spices to disguise the taste of rotting meat, improved the safety of food, and allowed the cattle to grow bigger. By 1732 the average bullock sold at Smithfield cattle market in London weighed 550 pounds, compared with 370 pounds in 1710. There were many gains from just one change in practice.

Selective breeding by Leicestershire farmer Robert Bakewell led to the creation of a new breed of sheep, the Leicester, in 1755. Five years later Bakewell started experimenting with selective breeding of beef cattle, and by 1770 he had produced animals with deeper, wider bodies on shorter legs, animals that carried much more meat. He worked on the simple idea that “like produces like”, each year only breeding from the most suitable stock.

Crop rotation was developed in a more scientific way, to ensure that each farm produced the maximum amount of food. This intensification of agriculture led to a marked increase in food production in Britain and other European countries following similar paths. By 1770, the UK was producing a surplus of potatoes for the first time. The potato had until that time been grown exclusively as a subsistence crop; now there was a surplus that was available for sale at markets and in shops.

In 1772 Thomas Coke started a programme of selective animal husbandry that would result in the creation of Devon Cattle, Suffolk pigs and Southdown sheep. By 1780 the agrarian revolution was well under way, with higher quality seed in general use, more scientific crop rotation (pioneered by Jethro Tull in 1720), more efficiently designed tools and generally increased productivity. Thomas Jefferson wrote rather apologetically in his Notes on Virginia about the extensive nature of agriculture in America at that time. “The indifferent state of agriculture among us does not proceed from a want of knowledge merely. It is from our having such quantities of land to waste as we please. In Europe the object is to make the most of their land, labour being abundant; here it is to make the most of our labour, land being abundant.”

In other words, it was the pressure of a high population density that produced the revolution, the intensification of agriculture in Europe. But the need to produce more food throughout the world would eventually come, as population levels rose.

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Arts, Films

Film Review: Creed II (12A)

REVIEW

Creed II is unashamedly formulaic. Fortunately for the viewer, the formula is a good one.

Veteran boxing trainers talk about the old left-right combo. Here it is in narrative form: brutality in the ring, poignancy out of it, thumped by one, hammered by the other. That is, until finally, the audience are on the ropes, likely to feel somewhat drained, wholly entertained, and perhaps also just a little bit suckered, having fallen again for the venerable Rocky one-two.

More than four decades and seven sequels have passed since the 1976 original, so it’s no surprise that the formula is as polished as it is. Some things remain unchanged; Sylvester Stallone’s voice still seems to emanate from the bottom of a mineshaft. The Great Mumbler, also credited as producer and co-writer, is on top form here, just as he was two years ago in Creed.

As before, though, the acting laurels go mostly to Michael B. Jordan. He delivers a terrific performance as the newly crowned, world heavyweight champ Adonis Creed.

In the previous film, he discovered who his late father was. None other than Apollo Creed, who back in the day fought and befriended Rocky Balboa (Stallone). That’s why Adonis – sensibly known to friends and family as Donnie – wanted Rocky in his corner as he embarked on a pro boxing career that lacked the usual springboards of deprivation and delinquency. Adonis had money and was properly educated. What did he want with sweaty pugilism?

It was unresolved daddy issues that made a fighter of him. In Creed II, the psychology of parent-child relationship looms almost as large as Dolph Lundgren, back in the series for the first time since Rocky IV (1985) as big Ivan Drago, the man who battered Apollo Creed to death in the ring.

 

DRAGO has an equally sizable son, Viktor (Florian Munteanu), whose dearest wish is to flatten Adonis. That would avenge the humiliation that the old man later suffered at the fists of Rocky, leading not only to exile from Mother Russia but also the departure of mother Ludmila, Viktor’s own parent (Brigitte Nielson, the former Mrs Sly Stallone, also last seen in Rocky IV).

Ivan and Viktor duly turn up in Rocky’s home town of Philadelphia to throw down the gauntlet. “Because of you I lost everything,” growls Ivan to Rocky. “Country. Respect. Wife.” Not to mention possessive pronouns and definite articles.

So, there are mummy issues, too, in this film. What is more, Rocky is trying to address a painful father-son estrangement of his own.

And if all that weren’t enough, Adonis’s hearing-impaired girlfriend Bianca (Tessa Thompson) also makes him a daddy in the course of Creed II, so he must balance his new parental responsibilities with his obligations to his dead father as he decides whether or not (as if you really can’t guess) to take on Viktor Drago’s challenge.

Any good boxing movie was never just about the boxing. Despite the yawning gap, at times, between the story and any kind of plausibility, Creed II really is a good boxing movie. In the real world, fighters don’t just emerge from nowhere to challenge for world titles, just as punches don’t resound with thwumpfs like baby elephants landing on a mattress.

There’s a cracking soundtrack, some of it provided by the lovely Bianca (a successful singer, despite her deafness), and the film is directed with a tremendously sure touch by Steven Caple Jnr.

At just 30, he is even younger than Jordan, his leading man, but evidently Stallone wanted someone of that generation at the tiller. The film production released in late 2018 was a gamble, but it pays off.

Verdict: Deserves success.

★★★★

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RainbowA Rainbow Without End

Arts, Poetry

A Rainbow Without End

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