Arts, Books

Book Review: Abattoir Blues by Peter Robinson

ABATTOIR BLUES

Sometimes the difference between fiction and reality is paper-thin. Peter Robinson’s Abattoir Blues is a clear example of this. Robinson writes an excellent novel you’ll want to read in as few sittings as possible.

Sometimes the difference between fiction and reality is paper-thin. Peter Robinson’s Abattoir Blues is a clear example of this. Robinson writes an excellent novel you’ll want to read in as few sittings as possible.

THE STORY BEGINS with DCI Banks going straight to his office from the airport on his return from holiday. This isn’t because of his ubiquitous work ethic as a dedicated senior police officer, avid and hardworking as he is, but more to do with that he can’t resist the ‘lure of a bloody crime scene’, as well as being happy to escape his messy private life.

Since his marital breakdown to Sharon, Banks has had a few other partners in his life, including the Italian woman whose parents he has just travelled abroad to meet. But while she seems noncommittal, he needn’t worry. Another interesting prospect will soon come his way.

Back at work, DCI Banks quickly reaffirms his effectiveness as leader of the homicide and major crimes team in West Yorkshire. Abbattoir Blues is another example of Peter Robinson who proves his outstanding expertise as a crime writer as he cleverly takes the reader through the intricacies of a complex plot.

Two young men are reported missing, and after some painstaking police work prove that the youths are linked in a major homicide crime. Bloodstains are found in a disused airfield hangar by Peaches the dog as she runs away from her master, Terry Gilchrist, who has a slight disability from an injury sustained in the Iraq war whilst serving as a soldier in the army. A caravan belonging to one of the youths is also burned to the ground. Things quickly become much more sinister.

Then a retired and successful fund manager finds that his £100,000 tractor has been stolen. There is the suspicion that he might be pursuing an insurance payment, or that the wayward son of the nearby farmer looking after the property in his absence might have been involved.

This case is being supervised by the permanently grumpy DI Annie Cabbot, whose ill humour and staid approach stems from the serious injury following a shooting she sustained in a previous case.

The author creates a storyline where Banks is in the habit of reviewing cases with his team. This is a very effective device for keeping the reader abreast of the story, and keeps the reader guessing as to what might happen next: ‘We’ve got a stolen tractor, two young men we’d like to find and talk to and the makings of a suspicious death at an abandoned airfield.’ The idiosyncrasies of the story are by no means obvious that these events are linked to a single major crime.

Robinson deserves huge credit for his meticulous approach and how a police operation of this nature might unfold. Sometimes the difference between fiction and reality is paper-thin. Peter Robinson’s Abattoir Blues is a clear example of this.

That summary holds good until the various themes are brought together by a fatal accident on a country road. The van involved was collecting animal parts from farms to take them to an abattoir when it skewered out of control and careered over the edge of a cliff-face. Following a search by police, the van also contains human remains. The various incidents hitherto are now linked and forged into a single case.

Unfortunately, though, the task of touring the many abattoirs to find the source of the remains goes to the team’s vegetarian, who finds it demanding and difficult to deal with. Others in the team have issues too. The hapless DC Dougal Wilson is the spitting image of Harry Potter and always becoming the butt of the joke, both with fellow officers and members of the public.

Gradually, a list of suspects emerges. One of them is Malcolm Hackett who has changed his name to Montague Havers, to become less ‘comprehensive school’ and ‘more Eton’. His links to the financial world and to the former trader turned farmer who had his tractor stolen helps to unravel a case that has many twist and turns before it is finally solved. Deceit and deception, unabridged differences in the background of the story’s main character, and the subtle nature by which Robinson writes all add to an excellent novel you’ll want to read in as few sittings as possible.

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Arts

Sketch: ‘Fit For Duty’…

No qualms. Or at least there shouldn’t be.

No qualms. Or at least there shouldn’t be.

THEY WERE DOING medical examinations for army entry and a man came in with one leg nine inches shorter than the other.

The Medical Officer said, ‘Yes, fine. You’re in.’ ‘Wait a minute,’ said the man. ‘I’ve got one leg nine inches shorter than the other.’

‘Don’t worry,’ said the M.O. ‘Where you’re going, the ground won’t be level.’

See what I mean?

See what I mean?


AND, Oh, here’s something else…

AN OLD SOLDIER was telling a rather bored young man about his military ancestry. ‘Do you know, my great-grandfather fought with Wellington in 1810, my grandfather fought with Redvers Buller in 1870, my father fought with Kitchener in 1916, and I fought with Monty in 1942.’

‘Oh dear,’ the young man drawled, ‘your family doesn’t seem to have been able to get along with anyone.’

 

Also on this site:

Military conundrum and lateral thinking drama, ‘Bridging the Gap‘

 

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Arts, Education, Philosophy, Society

Philosophy: An introduction…

Philosophy & Ethics

While the earliest philosophers sought to understand the earlier universe, it was not long before philosophy turned its attention to humans themselves, and the way we lead our lives. The idea of virtue was central to life in classical society, but difficult to define; concepts of good and evil, happiness, courage and morality became the subjects of debate in the branch of philosophy known as ethics, or moral philosophy.

In trying to ascertain the nature of a virtuous life, philosophers raised the question of what the goal of life should be – what is its ‘purpose’? How should we lead our lives, and to what end? The concept of the ‘good life’, eudemonia, figured largely in Greek philosophy, and embodies not only a virtuous life, but also a happy one. Several different schools of thought emerged as to how this ‘good life’ could be achieved, including the cynics, who believed in harmony with nature, the Epicureans, who believed pleasure to be the greatest good, and the stoics, who believed in acceptance of things beyond our control.

Where ethics and moral philosophy seek to define virtue and what constitutes the ‘good life’, the closely related branch of political philosophy examines the nature of concepts such as justice, and what sought of society can best allow its citizens to lead ‘good’ lives. The problems of how society should be organised and governed were of paramount importance not only to classical Greece, but also in the development of nation-states in China at much the same time, and elsewhere as new civilisations emerged.

As a branch of philosophy, political philosophy deals with ideas of justice, liberty and rights, and the relationship between a state and its citizens. It also examines various forms of government, such as monarchy, aristocracy, oligarchy, tyranny and democracy, and how each affects the rights and freedoms of the individual, as well as examining the relationship in how they exert their authority through the rule of law.

Aesthetics

As the classical Greek philosophers sought to define concepts such as virtue and justice, giving rise to the branches of moral and political philosophy, they also asked the question: ‘What is beauty?’ This is the fundamental question of aesthetics. As a branch of philosophy, aesthetics tries to establish what, if any, objective criteria there are for judging whether something is beautiful, but, in a wider sense also examines all aspects of art – including the very basic question ‘What is art?’

At various times in history, the emphasis of aesthetics has moved from what constitutes art to the religious or socio-political significance of works of art, a general theory of our appreciation of art and how we perceive it, and the process of artistic creativity itself. Philosophical and ethical problems are also raised when considering such matters as the authenticity of a work of art or the sincerity of its creator.

Eastern and Western philosophies

Although the tradition that began in ancient Greece still tends to dominant philosophical discussion in the Western world, philosophy is by no means restricted to that single tradition. Thinkers such as Laozi and Confucius in China also founded their own traditions of philosophy from different starting points, as, arguably, did Buddha in India. For them, and subsequent Eastern philosophers, questions of metaphysics were considered to be adequately explained by religion – hence the Eastern traditions are much more focused on concepts of virtue and the way in which we should lead our lives. In China especially, this moral philosophy was adopted by the ruling dynasties and took on a political dimension.

Eastern and Western philosophies developed very separately until the 19th century, when European philosophers, notably Schopenhauer, began to take an interest in Indian religious and philosophical thought. Elements of Eastern philosophy have subsequently been incorporated into some branches of Western philosophy.

Philosophy vs. religion

Religion and philosophy offered two distinctly different approaches to answering our questions about the world about us – religion through belief, faith and divine revelation, and philosophy through reason and argument – but they often cover much the same ground and are sometimes interrelated. Eastern philosophy developed side by side with religion, and Islam saw no incompatibility between its theology and the philosophy it inherited from the classical world, but the relationship between Western philosophy and Christianity was very often uneasy. Church authorities in the medieval period saw philosophy as a challenge to their dogma, and Christian philosophers risked being branded as heretics for attempting to incorporate Greek philosophical ideas into Christian doctrine. But more than that, philosophy also brought into question issues of belief as opposed to knowledge, faith as opposed to reason – questioning, for example, whether there was any evidence for miracles or even whether the existence of God could be proved.

Philosophy vs. science

Throughout much of the history of philosophy, there was no such thing as science in its modern form: in fact, it was from philosophical enquiry that modern science has evolved. The questions that metaphysics set out to answer about the structure and substance of the universe prompted theories that later became the foundations of ‘natural philosophy’, the precursor of what we now call physics. The process of rational argument, meanwhile, underpins the ‘scientific method’.

Since the 18th century, many of the original questions of metaphysics have been answered by observation, experiment and measurement, and philosophy appeared to be redundant in these areas. Philosophers have since changed their focus to examine science itself. Some, like Hume, challenged the validity of inductive reasoning in science, while others sought to clarify the meaning of terms used by science, opening up a ‘philosophy of science’ that considers areas such as scientific ethics and the way science makes progress.

 

ONE of the features of philosophy that distinguishes it from other ways at looking at the world is that its students are encouraged not to accept the conclusions of their teachers, but to discuss, argue and even disagree. This is exactly what happened in the very first school of philosophy, the Milesian school founded by Thales: his student Anaximander asked if the Earth was supported by water then what supported that? He suggested that the Earth was a drum-shaped cylinder hanging in space, with one of the flat surfaces forming the world we live on. Anaximander, also had a pupil, Anaximenes, who said that the world was self-evidently flat and floated on air. Using the same sort of arguments as Thales, he concluded that the single element from which everything is made is air. Although the conclusions of the Milesian philosophers seem to us hopelessly wrong in the light of later scientific discoveries, the process of reasoning used to reach them – especially argument and counter-argument – still forms the basis for philosophical investigation.

The argument Anaximander used to challenge his teacher’s theory of the Earth floating on water involved an idea that crops up in several strands of philosophy. If the world is supported by a body of water, then what supports the water? And then, what supports that? And so on, ad infinitum. The same pattern can be seen in arguments involving cause and effect: if something causes something else, then what causes that? This apparently unending chain is called infinite regress. Some philosophers saw the existence of infinite regress as proof that the universe is eternal, but many were uncomfortable with the idea and proposed that there must be an original or first cause for everything (an idea that chimes with the modern theory of the Big Bang). For some, the first cause or ‘prime mover’ was an abstract idea akin to pure thought or reason, but, for medieval Christian philosophers especially, it was God: indeed, the idea of a first cause was at the heart of Thomas Aquinas’s cosmological argument for the existence of God.

Heraclitus: everything is in flux

In contrast to the school of philosophy founded by Thales at Miletus, just along the Ionian coast in the city of Ephesus lived a solitary thinker, Heraclitus, who had very different philosophical views. Rather than suggesting a single element from which everything was derived, he suggested an underlying principle – that of change. Heraclitus saw everything as consisting of opposing properties or tendencies, which come to together to make up the substance of the world. The analogy he gave was that the path up a mountain is the same as the path down.

In this theory, known as the ‘unity of opposites’, the tension and contradiction of opposing forces is what creates reality, but is inherently unstable. Therefore, everything is constantly changing: everything is in a state of flux. Just as the water in a river is constantly flowing onwards, but the river itself remains the same, that which we consider to be permanent, unchanging reality consists not of objects, but processes.

– This concludes An introduction to Philosophy. Further entries in this area will be offered in the future.

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