Arts, Books, First World War, History

Books/History: ‘Meeting the Enemy: The Human Face of the Great War’…

HISTORICAL REFERENCE WITH A DIFFERENCE

As the centenary of the Great War approaches, a tide of new books about it is due for publication. It must be the most written-about war in history.

Richard van Emden’s ‘Meeting the Enemy: The Human Face of the Great War’, though, is a World War I historical reference with a difference. Emden is a specialist who has found a literary niche, little explored, charting the personal contacts between Britons and Germans and their feelings about each other as the war progressed.

It began on both sides in a blaze of patriotic bluster. Crowds poured into Berlin’s main thoroughfare, Unter den Linden, as they did in London’s Piccadilly and Pall Mall. In Berlin they bellowed, ‘Deutschland, Deutschland, Über Alles’; in London, ‘Rule Britannia!’

The phrases of the hour in Britain were: ‘We must stand by France’ (German troops were already in Belgium) and ‘It will be over in three months’. Why three months, nobody precisely knew.

There were many more German immigrants in Britain than Britons in Germany. They faced internment, with dire consequences for their families, who were eventually supported by meagre grants from their government.

There was fury in Germany at Britain’s declaration of war, along with widespread feelings of betrayal. Only the previous year, George V visited his cousin the Kaiser, and was pictured wearing a ‘pickelhaube’ – a spiked, plumed German helmet matching the German leader’s. Now King George was pictured on a postcard as ‘der Judas von England’.

The Kaiser was honorary colonel of a regiment of British dragoons and an Admiral of the Fleet to boot. His British orders and decorations were packed in brown paper and delivered to the British Embassy with a message that he had no further use for them.

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NEVERTHELESS, he ordered that the English Church in Berlin, built as a present to his English mother, was to be kept open, and its pastor, the Rev Henry Williams, left at liberty for the duration.

The diaries of Rev William’s are much quoted, describing how life in Germany deteriorated when the Allied blockade began to bite.

Anti-German feelings ran high in Britain at the war’s opening and flared again with the sinking of the Lusitania off Southern Ireland in 1915, drowning more people than the Titanic had.

A remarkable book reveals how warring troops bonded in the trenches.

A remarkable book reveals how warring troops bonded in the trenches.

There were riots in the Lusitania’s home port of Liverpool, with the shops of German immigrants being looted and burnt. This rancour was markedly absent from the front line in Flanders, where the famous Christmas truce took place in 1914. Everyone knows that it started with men in both trenches singing Christmas carols and shouting ‘Merry Christmas’ to each other, then climbing out of their trenches to exchange gifts and friendly talk in no man’s land.

In some places the truce lasted into January, until orders came from above that war must be resumed. Officers on both sides synchronised their watches, agreeing to start again in an hour, saluted each other and went back to their respective trenches.

Those in the higher echelons of the British Army were furious at the spontaneous fraternising – pictures of which appeared in the newspapers. When Christmas approached in 1915, they threatened dire punishment if it should happen again.

But it did – at least in the Scots’ Guards section of the front. Their company commander, Sir Iain Colquhoun, agreed to a German suggestion of a truce to bury the dead lying in no man’s land. This developed into full-scale fraternising. The Germans danced to a mouth organ.

Captain Colquhoun was court-martialled and reprimanded. All leave was cancelled for six months as punishment.

Some other friendly contacts were surprising. When the British took over part of the French sector in 1915, they were met with a message left on the barbed wire, fixing a rendezvous for the exchange of newspapers.

One British officer was told that German officers had been in the habit of crossing over in the evenings for a game of bridge with their French opponents. That stopped when they found the British waiting for them.

Many deserters crossed the line at night to surrender and escape further fighting. A Sergeant Dawson, bogged down in the mud of no man’s land, could only wait to be captured. When he surrendered to the five Germans who pulled him out, they assured him: ‘No, we are your prisoners. Take us to your headquarters.’ He was helplessly lost, but they knew the way.

Prisoners were remarkably well-treated. Captain Wilfred Birt, who died in Cologne hospital after a stoic struggle with painful wounds, was given a slap-up military funeral in the cathedral by Germans. Serving British officers were invited to attend, and were allowed free passage back to their side afterwards.

Another imprisoned British captain was allowed three weeks’ leave to go home to see his dying mother. He gave his promise to return, kept his word … then set about trying to escape as usual.

The highest display of mutual esteem occurred between the fighter pilots who were in combat above the lines. They carried no parachutes, as they were too bulky for narrow cockpits. So when a machine caught fire, the pilot was faced with the choice of burning or jumping.

German pilots made a habit of finding their victims, alive or dead. If dead, they dropped details of their names and burial sites over the British lines. If alive, they would invite them to a slap-up meal in their mess.

Both sides were ruthless to each other in the air but observed the rules of chivalry on the ground. When the German ace Max Immelmann was killed, a British pilot dropped a wreath and message of condolence on his airfield.

When fellow ace Werner Voss was shot down doing battle against seven opponents at once, the victorious pilot said: ‘If only I could have brought him down alive.’

This illustrated the difference between personal combat and the industrialised warfare of machine guns and artillery barrages on the ground. When it was possible to know your enemy individually, hatred was seldom shown.

A brigadier, Hubert Rees, who was captured during the Germans’ last offensive in March 1918, was ordered to a car that took him to the top of a plateau. Here he was ushered forward to meet the Kaiser, who questioned him then said: ‘Your country and mine ought not to be fighting each other. We should be fighting together. I had no idea that you would fight me.’

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HE ASKED: ‘Does England wish for peace?’ Rees replied: ‘Everyone wishes for peace.’

After the Kaiser had gone into exile and Rees had been released from captivity and was wandering about Berlin, he witnessed the return of the Prussian Guards to the city, often described as a ‘triumph’.

Rees had a different word for it – pathetic. ‘Companies of boys and over-age men. Officers without swords. Rusty weapons, broken-down horses drawing limbers. As a military spectacle it was lamentable.’

As British troops occupied the Rhineland, a British guardsman wrote: ‘The people welcomed us as rescuers from anarchy.’ Also from starvation. Their British ‘guests’ were a vital source of food from the Army’s well-stocked canteens.

The ban on fraternisation had to be lifted. ‘Our fellows would open their tunics to show their scars. The German boys would do the same,’ wrote a private soldier. Only weeks after they had been doing their best to kill each other, they behaved like comrades in arms.

– ‘Meeting the Enemy: The Human Face of the Great War’ written by Richard van Emden is published by Bloomburg at £20.

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Arts, Books, Britain, First World War, History, Military

Book Review: ‘Die Hard, Aby!’…

DIE HARD, ABY!

… For sufferance is the badge of all our tribe (William Shakespeare)

RECENT BOOKS, many by Pen and Sword such as Shot at Dawn, have highlighted the often shocking cases of young British soldiers in the Great War being executed by their own side. All too frequently their trials were cursory, the evidence flimsy and the defence wholly inadequate. Such scandals has appalled right-minded people of all political persuasions, not least as there is strong evidence that the authorities turned a blind-eye to under-age boys serving illegally on the Western Front.

Die Hard, Aby! is a book that examines in depth the shocking case of a Jewish boy, Abraham Bevistein who enlisted in the Middlesex Regiment at the age of seventeen. By all accounts an exemplary young soldier, Aby was wounded in action and hospitalised.

After what was probably a premature release, his battalion suffered a major bombardment and Aby reported sick. Declared fit for duty, he then made the fatal mistake of not returning immediately to the front-line. The authorities arrested and tried him. The conduct of that trial is examined in close detail and clearly flouts every convention of natural justice.

His execution by firing squad caused horror and utter disbelief to his family and those who knew him and readers who engage this masterly written book will, equally, feel outraged. Aby’s case featured, too, as a major part of the Channel 4 drama documentary Boy Soldiers of the First World War.

This superbly researched and, for many, highly emotive account of a specific case of grave injustice will likely fuel yet further the controversy over such executions. Die Hard, Aby! is sure to appeal to all who feel any sentiment for their fellow humans.

At the end of the book it will be for the reader to decide whether Abraham Bevistein has been afforded fair justice from the country for which he died – even after all these years.

FAIR JUSTICE?

Soldiers who were shot during the Great War have, at times, become an emotive and recurring, national argument and topic. As David Lister, the author of this compelling work ‘Die Hard, Aby!’ writes:

… It is a recurring, national itch that requires scratching at regular intervals.

There is possibly a nagging feeling by some that justice has not been done; others may just wish the subject would fade away, and pretty much feel that justice was done in the first place.

There are several books that address the issue but, even before the first of them had been conceived, interest on the subject has bubbled away under the surface from a time well before the cessation of hostilities in 1919.

The Thin Yellow Line was published in 1974. Its author, William Moore, drawing on questions raised in Hansard (House of Commons), had to make a good as a job of it as possible without recourse to official court-martial papers. Those had been closed to the public: marked ‘not for release’ until the expiration of 100-years.

A decade later, Anthony Babington’s For The Sake of Example was the first book published by an author who had been allowed to see the papers, still not yet, though, within the public domain.

75-years after the executions, the government relenting to public pressure, the war office documents were released earlier than first intended, enabling more research. At the time of the release, another publication Shot at Dawn (Julian Putkowski/Julian Sykes) had been made. This was the first book to report in detail of individual cases, as well as the first to record the names of those executed within the main-body of the text (as opposed to within a table or index).

All of these books lean towards the injustice of the situation, with the latter making a strong case for the ‘pardoning‘ of all those executed for military disciplinary offences, such as desertion or sleeping at post. Recently, though, works by Cathryn Corns and John Hughes-Wilson, produced there well-researched (but unsympathetic) publication entitled Blindfold and Alone. Here, the authors take the general stance that the executions were, for the most part, necessary and properly carried out.

For God’s Sake Shoot Straight (recently published as ‘Death for Desertion’) by Leonard Sellers tells the true story of Sub Lieutenant Edwin Dyett, one of only two officers shot for military offences during the First World War.

Die Hard, Aby! follows a logical sequence of events that trails in the wake of publications previously made available. Whilst Moore brought the issue of executions into the wider public domain and Babington examined the case in more depth, Die Hard, Aby! similarly seeks to examine the story of the enlisted men and in particular Abraham Bevistein, who like an estimated 15% of all fighting ‘men’, had signed-up as a soldier, under-age.

Lister sets out to tell the whole-story of Abraham Bevistein: where he was born, where he grew up and what, chain of events brought him to his fate. Abraham was a very ordinary boy amongst the hundreds of thousands of ordinary boys and men who died in the trenches and whose lives have not even left a footnote on the pages of history, other than a name merely scribed on a stone or a memorial panel.

Abraham has been recorded and mentioned in Hansard on occasions, now, spanning in excess of 75-years. His story exemplifies an injustice that has been allowed to endure for far too long.

David Lister’s book considers not that of the 306 men executed for military offences; but of one boy who suffered that end, Abraham Bevistein, who served under the name of “Harris” and whose gravestone even bears the name spelt incorrectly as ‘Beverstein’.

Much of Lister’s work speaks of Abraham’s times and the setting for his life. The writer acknowledges that with the passage of years, there is little to be found in records and archives of the life of one boy who grew-up in a poor part of London.

Abraham is followed from the Russian annexed land of his birth, across Europe and the North Sea and into a new land for which he chose to fight, and for which he ultimately died. A little is learnt of his school life, the regiment he joined and of the events that brought him to his untimely death.

The premise of Die hard, Aby! is a sad-case of an executed boy – taken up in Parliament – based on how letters from the front, scribbled on scraps of paper, were brought to the attention of the nation.

In a carefully choreographed story, based on real-life events, David Lister exposes brilliantly the injustice of Abraham’s untimely death by execution.

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Arts, Books, Scotland

Edinburgh International Book Festival 2013…

CELEBRATING 30 YEARS

30 years ago in 1983, Jenny Brown welcomed visitors through the gates of Charlotte Square Gardens for Edinburgh’s first Book Festival, presenting a vibrant programme of some 80 authors including John Updike, Liz Lochhead and Alasdair Gray. Little did anyone realise that over the next three decades the event would grow to ten times its original size, becoming the biggest and best-respected festival of books in the world.

At 30, the Edinburgh International Book Festival is well established as a key part of Scottish cultural life with an international reputation: a means of helping us think differently about our past, our present and our future. The Festival this year, which starts on the 10th August, will proudly celebrate its birthday with events looking back over three astonishing decades, and forward to what might happen over the next generation.

The 2013 Festival will include special events hosted by the Book Festival’s former directors, by Guest Selectors Margaret Atwood, Gavin Esler, Neil Gaiman and Kate Mosse, and Illustrator-in-Residence Barroux.

30 YEARS BACK, 30 YEARS FORWARD

The Edinburgh International Book Festival will also examine the impact of changes to our social, political and cultural life since the Edinburgh’s first Book Festival in 1983. Thatcherism was blossoming; the Berlin Wall still stood; Nelson Mandela was in prison and the internet was the domain of science-fiction.

In literature, 1983 was the year Roald Dahl published The Witches and Mairi Hedderwick’s Katie Morag was born; it was the year Hergé and Tennessee Williams died, while a young Iain Banks was writing his first book. Many of today’s leading Scottish authors, including Ian Rankin, Alexander McCall Smith, Irvine Welsh, James Kelman and J K Rowling, were yet to publish the novels that would bring them fame across the world.

All Book Festival events take place in Charlotte Square Gardens, Edinburgh. Author events last one hour (unless otherwise specified) and most are followed by a book signing.

All Book Festival events take place in Charlotte Square Gardens, Edinburgh. Author events last one hour (unless otherwise specified) and most are followed by a book signing.

Next year, Scotland faces a historic referendum whose outcome will affect the lives of future generations. The Festival’s 2013 programme attempts to provide a generation-wide, international (and politically neutral) context for the referendum debate. The Festival will also look at how writers are projecting forwards to imagine what might happen in the next 30 years. The Book Festival will look into its crystal ball through the eyes of leading public intellectuals, novelists and comics and graphic novel creators.

Opening day, Saturday 10th August…

The Edinburgh Book Festival begins at 10:00 and will see a range of authors on the opening day, from Graham Stewart’s ‘Thatcher’s Decade’ to Angus Peter Campbell’s work of ‘Gaelic Fiction in the 21st Century’, presented by Guest Selectors. List events are no more than £10 for entry (£8 for concessions). The Festival which will incorporate a Children’s Programme and Young Adult Events will close on Monday 26th August.

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