Category Archives: Arts

Arts, Books, Environment, Nature

Book Review: Hedgelands

LITERARY REVIEW

Intro: Hedges are humble habitats that are a lively host to much wildlife – a secret safari providing a plethora of environmental benefits

THE humble and often-neglected British hedge, is described by author Christopher Hart as “an incredibly porous and self-sustaining feature of our countryside . . . one of the happiest accidents in human history.” It hums with bees and butterflies, is a rich haven for insects, birds, hedgehogs, shrews, voles, and bats, and also acts as a windbreak, stock fence, flood defence system, and an environmental barrier against soil erosion. The RSPB agrees; its research shows that hedges may be supporting up to four-fifths of our woodland birds, half of our wild mammals, and a third of our butterflies.

Hedges have been a feature of the British landscape since the Stone Age. The original ones were “dead hedges”, made from piles of branches and brushwood collected from cleared areas of woodland.

As the wood rotted, it was swiftly colonised by fungi and insects. Passing birds excreted seeds from trees and shrubs – such as hazel, oak, ash, hawthorn, dog rose, blackthorn, and bramble – which soon started sprouting in among the dead wood. From there, a living hedge was born. (A hedgerow, if you were wondering, is a hedge that includes features such as banks, trees, walls, fences, or gates.)

Our ancestors soon learned the best way to deal with an unruly hedge: by cutting half-way through a rising trunk and then to lay it back into the hedge sideways. In time, this creates a barrier so dense and tough that it can even hold back an amorous bull trying to get into a field of cows.

Yet as Hart rightly points out, these ancient hedges are much more than just a physical barrier. They mitigate flooding and soil erosion and give many animals an invaluable source of shelter from precipitous conditions. A hedge will protect smaller birds and mammals from predators like crows, magpies, sparrowhawks, and foxes – a dense hedge is difficult for predators to access and manoeuvre. This “narrow but incredibly complex ecosystem” is also an abundant source of food for wildlife, providing hips, haws, sloes, and blackberries for them to feast on.

Many of the countryside hedges we see today pre-date the Georgian era, some even being Anglo-Saxon. In a county like Devon, where the land is suited to sheep and cattle and less likely to be ploughed, at least a quarter of the hedges date back to Norman times.

TWO

THERE are strong regional variations in Britain’s hedges. In the Midlands, traditionally cattle country, hedges tend to be mainly hawthorn, which is an excellent barrier to bullocks. The high rainfall in Wales and Ireland is just the thing for blackthorn, which happens to be a handy plant for snagging and restraining sheep.

The Somerset Levels typically have hedges made of osier, a small willow tree, while in Kent and Worcestershire you’ll find hedges of beech, poplar, and elder which tend to grow tall to protect prized orchards from the wind.

By 1820, there were 700,000 kilometres of hedges in England (and many more in Scotland, Wales, and Northern Ireland). Today the figure is 400,000 which still sounds impressive, but many of these hedges are so degraded that they have become “little more than a blunt, dwarfish lined of scarred and wind-scoured stumps”, as Hart writes despairingly.

On arable land, hedges are often seen as an obstacle for tractors, while on pastureland, farmers find it easier to put up a barbed wire fence than have a hedge separating livestock. Hart is sympathetic to farmers, who are not “the cartoonish villains of the countryside but, rather, hard-pressed food producers just trying to stay in business”.

But there’s no denying that replacing a bountiful hedge with barbed wire is a disaster for wildlife, which results in “no wild foods, berries, nuts, wild greens, or herbs . . . no shelter or habitat for birds and mammals, [nor] beneficial pollinators and insect predators.”

THREE

MOST of the damage to the country’s hedges was done from the 1960s onwards when, incredibly, government actually offered subsidies for their removal. After 1973, the EU’s damaging Common Agricultural Policy was even more zealous in paying farmers to destroy ancient hedges.

If all this sounds depressing to anyone who cares about the countryside and its wildlife, Hart offers some practical solutions. Many hedges in private gardens are a single variety, like privet or beech; the author suggests that you rewild yours, by weaving honeysuckle and brambles through your hedge, making it far more attractive to insects.

And if you leave a little verge around the bottom of your hedge, all sorts of wildflowers might pop up, from orchids and buttercups to cow parsley and bluebells.

Above all, we are urged to cherish our existing hedges. Instead of spending a fortune on planting millions of new trees, which Hart says are “of low ecological value”, he would like the Government to allocate a fraction of that money to restoring hedgerows.

With better management of hedges, “we might not need to worry so much about insects disappearing, bird numbers falling or our targets for carbon capture. Our lovely native hedgerows would do much of the work for us, if we only look after them.”

Hart has his own 300 yards of “beautiful, unkempt, pullulating hedgerow” at his home in Wiltshire, and he has seen for himself how endangered birds such as redwings and fieldfares will eagerly flock to a hedge which provides nutritious wild berries for them.

Christopher Hart has written an eye-opening and inspiring book which will leave the reader with a deep appreciation of these wonderful habitats – and perhaps a desire to create their very own hedge. As he says: “You don’t need to go to the Serengeti to see amazing animals. You just need a good thick hedge.”

– Hedgelands by Christopher Hart is published by Chelsea Green, 208pp

Standard
Arts, Science, Scotland

The life of Professor Peter Higgs

PIONEERING SCIENTIST

A SCIENTIST who achieved worldwide fame with the discovery of the so-called God Particle has died at the age of 94.

A statement from Edinburgh University, with which the scientist had a strong connection throughout his career, said that Professor Peter Higgs died “peacefully” at his home following a short illness.

The physicist, who had lived in the Scottish capital for more than 50 years, won the highly prestigious Nobel Prize in 2013 after he predicted the existence of an elusive fundamental particle – which would become known as the Higgs boson.

In 1964, he was one of the scientists who first proposed the existence of the sub-atomic particle that gives substance or mass to planets, stars, and life.

Paying tribute, Professor Sir Peter Mathieson, principal and vice-chancellor of the University of Edinburgh, said: “Peter Higgs was a remarkable individual – a truly gifted scientist whose vision and imagination have enriched our knowledge of the world that surrounds us. His pioneering work has motivated thousands of scientists, and his legacy will continue to inspire many more for generations to come.”

Fellow physicist Professor Brian Cox posted on social media: “I was fortunate enough to meet him several times, and beyond being a famous physicist – I think to his embarrassment at times – he was always charming and modest. His name will be remembered as long as we do physics in the form of the Higgs boson.”

Alan Barr, professor of physics at the University of Oxford, said: “From the mind of Professor Higgs came ideas which have had a profound impact on our understanding of the universe, of matter, and mass.”

He added: “He was also a true gentleman, humble and polite, always giving due credit to others, and gently encouraging future generations of scientists and scholars.”

Sir Ian Blatchford, chief executive of the Science Museum Group, said Professor Higgs was a “brilliant scientist who helped us to understand the fundamental building blocks of our universe”.

Born in Newcastle in 1929, Professor Higgs was the son of a BBC sound engineer.

His family later moved to Bristol where he attended Cotham Grammar School before going on to read theoretical physics at King’s College London. A five-decade-long career began when he graduated with a first-class honours degree in 1950.

Professor Higgs held research fellowships in Edinburgh and London before becoming a lecturer in mathematical physics at the University of Edinburgh in 1960. He wrote his ground-breaking paper after developing the theory while walking in the hills around the city.

In 1980, he became a professor of theoretical physics in Edinburgh, a post he held for 16 years before retiring and assuming the title of emeritus professor.

Outside academia, Professor Higgs married an American linguist, Jody Williamson. The couple had two sons, Christopher and Jonathan, before their divorce in the early 1970s.

The existence of the Higgs boson was proven in 2012 with use of the Large Hadron Collider (LHC) by a team from the European nuclear research facility in Geneva. Professor Peter Higgs was awarded the Nobel Prize along with Belgian Francois Englert for their work on the theory of the particle. At the time he said: “It’s very nice to be right sometimes.”

Despite the accolades he received – including more than ten honorary degrees – he said he felt uncomfortable being likened to other Nobel winners such as Albert Einstein.

Professor Higgs turned down the offer of a knighthood from Tony Blair in November 1999 as he did not want any title.

He lived in a small flat in Edinburgh, had no television, and used public transport. In later years, he told of his unease with the attention his achievement garnered, saying he was often bombarded by requests for selfies and could not walk the streets of Edinburgh without being stopped by fans.

The world is indebted to Professor Peter Higgs. May he rest in peace.

Standard
Arts, Books, History, Literature, Scotland

Scottish author says Shakespeare got Macbeth wrong

SHAKESPEARIAN TRAGEGY

AS generations of pupils learned in English classes, Lady Macbeth, the cold-hearted, scheming villain who casts her dark shadow over one of literature’s most famous plays, and driven by a lust for power, persuaded her weak-willed husband to commit murder most foul.

Yet, according to one of Scotland’s illustrious top crime writers, Shakespeare got the tragedy of Macbeth all wrong.

Novelist Val McDermid – with a helping hand from former First Minister Nicola Sturgeon – has written a book exploring the real story of the woman who became Queen Macbeth, first Queen of Scotland.

And part of her aim, she says, is “setting Shakespeare straight”.

According to the Bard of Avon, the Macbeths are motivated by merciless ambition which ultimately leads to their downfall. Their tragedy stems from their decision to seize the throne by killing King Duncan while he is asleep.

But McDermid, whose novels have sold more than 19 million copies and been translated into more than 40 languages, recasts the tale in a feminist light – as a historical romance seen from the perspective of a strong and determined woman fighting for life and love.

As befits a crime writer, the book contains a major plot twist. But in a departure from the gritty “tartan noir” genre for which she is highly acclaimed, McDermid also ventures into the realm of erotic fiction.

In the author’s notes at the start of the book, she claims the Macbeths were “not the power-hungry bloody tyrants that Shakespeare wrote of in his Scottish play”.

And in highlighting other inaccuracies, she says: “For a start, Macbeth wasn’t even his name – it was Macbethad. His wife wasn’t Lady Macbeth – she was Gruoch. If he couldn’t get their names right, how can we trust anything else he tells us?”

She also claims the Elizabethan playwright made an error about the death of King Duncan. “Yes, Macbeth did kill Duncan, but it was on the field of battle, not in the dead of night when Duncan was a guest in his castle.”

Queen Macbeth, to be released shortly, tells the fictionalised life-story of Gruoch Ingen Boite, who is forced into a loveless arranged marriage, but finds true love with a nobleman called Macbeth. In the acknowledgements, the author thanks her friend and fellow book lover Ms Sturgeon, “whose animated dinner conversation resolved an awkward plot point for me”. She added: “It’s amazing how a few glasses of red wine release the imagination…”

The novel contains echoes of Shakespeare but imagined from a feminist perspective. The witches who prophesy Macbeth’s doom are replaced by three women – a healer, weaver, and a seer – whose powers make the men of mediaeval Scotland deeply suspicious.

The tale starts with Gruoch and her companions fleeing from plotters who believe she stands in the way of their ambition for power.

As the narrative develops, Gruoch recalls the stirrings of her love for Macbeth, including a racy description of their first moment of intimacy, saying: “Where our bodies touched it was like a lick of flame running through me.”

Shakespeare’s Lady Macbeth encourages her husband to commit murder, but McDermid’s version urges caution when Macbeth considers revenge against a rival, saying: “Better to be slow than to shed innocent blood, surely?”

The book is part of Polygon’s Darkland Tales – dramatic retellings of key moments from Scottish history, myth, and legend.

Pre-publication publicity promises McDermid will reveal “a new Lady Macbeth, bringing a schemer in the shadows out into the light and exposing the patriarchal prejudices of history.”

Standard