Arts, Books, Britain, Government, History, NATO, Society

The Labour Party, Soviet intelligence and the Cold War

BRITAIN: LABOUR & THE COLD WAR

THE postwar government of Clement Atlee was instrumental in the founding and formation of NATO, which binds together the defence of North America and Europe. Attlee’s successors as leader of the Labour Party have not all been as staunch as he was in the national interest. Amid the Cold War tensions of the early 1980s, for example, Labour’s candidate as a potential prime minister was a man who had willingly taken money from the Kremlin. Michael Foot, a hero of the Labour left who served as party leader from 1980 to 1983, was paid the equivalent of £37,000 in today’s money from the KGB, the Soviet intelligence agency, while he was a backbencher in the 1960s.

A new book, The Spy and the Traitor by Ben Mcintyre, recounts the remarkable public service of Oleg Gordievsky, a senior KGB officer who was a double agent for MI6. Gordievsky was recalled from the Soviet embassy in London when his cover was blown in 1985. In peril, and with the help of western intelligence, he escaped the Soviet Union. Macintyre’s book details evidence that Gordievsky gave to his British spymasters. It includes the revelation that Foot was paid as being a KGB contact.

The information has topicality as well as historical significance. Every British government since Attlee’s has treated the transatlantic alliance as the bedrock of defence policy. The current Labour leader, Jeremy Corbyn, claimed in 2014 that NATO had been “set up to promote a Cold War with the Soviet Union”. This is nonsense. NATO was created in 1949 as an alliance of free nations to deter Soviet expansionism and aggression.

Communism collapsed a generation ago having turned the former Soviet Union and its satellite states into lands of penury and oppression. And the current regime in the Kremlin likewise threatens western interests, alters internationally recognised borders by force and pursues lethal violence against its critics at home and abroad. In the nerve agent attack in Salisbury on Sergei and Yulia Skripal, which has left one British woman dead and three people seriously injured, the prime suspects were recently disclosed as officers of Russian military intelligence (the GRU).

Any government faced with an attack on British soil ought to be able to count on bipartisan support. Yet, affecting a façade of continued open-mindedness, Mr Corbyn at every stage cast doubt on Russian culpability for the crime, despite the circumstantial evidence that was overwhelming. It also emerged earlier this month that two Russian agents were expelled from the Netherlands this year for spying on a laboratory where samples of the poison used on the Skripals were being tested.

Michael Foot was on the left of the party and advocated an irresponsible policy of unilateral nuclear disarmament by Britain. Paradoxically, however, he has never been widely regarded as being sympathetic to communist autocracy. He denounced the Soviet invasion of Czechoslovakia in 1968. When a British newspaper published Gordievsky’s claims in 1995 that the KGB held a file on him, Foot successfully sued for libel and was awarded substantial damages.

Inconsistencies do, however, remain. Whilst is known that Foot served as a confidential contact for the KGB, had Labour won the general election of 1983, Gordievsky would have been faced with the bewildering task of serving a prime minister who he knew to have taken money from Soviet intelligence. There is also the point of Gordievsky’s testimony which shows that Jack Jones, leader of the transport workers’ union in the 1970s, was regarded by the KGB as a disciplined agent, whom the spy agency had paid until 1968.

In explaining why he had not shared information about Britain’s nuclear deterrent with any but a few trusted cabinet colleagues, Atlee said bluntly: “I thought that some of them were not fit to be trusted with secrets of this kind.” His judgment of senior Labour figures was acute and accurate, and resonates today.

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Arts, Books, Literature

Who will win the 2018 Man Booker Prize for Literature?

SHORTLIST

In The Running…

. Milkman by Anna Burns (published by Faber for £14.99)

Milkman

PLOT: The Troubles provide a subtle backdrop of simmering threat to this inventively written novel, set in Belfast in the 1970s and narrated by an unnamed 18-year-old, whose semi-abusive relationship with a creepy older man is the subject of prurient gossip among the close-knit community.

Critic: Against a bomb-shattered landscape, rendered toxic by a climate of prejudice, intimidation, suspicion and half-truths, Burns explores to exhilarating effect the treacherous nature of language.

Chance of winning: 6/1

. Washington Black by Esi Edugyan (published by Serpent’s Tail for £14.99)

Washington Black

PLOT: Beginning on a 19th-century cotton plantation in Barbados, this genre-mashing historical romp is the story of an artistically gifted teenage slave who endures great brutality at the hands of his master. When he is taken under the wing of his master’s brother, a scientist and explorer, he manages to escape, setting the stage for a quasi-fantastical run across Europe and North Africa.

Critic: Fascinating and enjoyable, but rather like the hot air balloon that took Black from Barbados, it sometimes drifts off course.

Chance of winning: 4/1

. Everything Under by Daisy Johnson (published by Cape for £14.99)

Everything Under

PLOT: The debut novel from 27-year-old Johnson is modern-day reworking of the mythical story of Oedipus with a feminist twist. Gretel’s mother left when she was a teenager and now Gretel is an adult, she wants to find her – a search that takes her back to the semi-lawless marginal world of Oxford’s boat-dwelling communities, where she grew up.

Critic: For all the atmosphere of menace, Johnson’s handling of her Sophociean themes can be remarkably clumsy.

Hums with an electricity pylon-charge of danger.

Chance of winning: 5/1

. The Mars Room by Rachel Kushner (published by Cape for £16.99)

The Mars Room

PLOT: A former stripper, Romy is serving two life sentences after killing her stalker. There’s not a great deal of plot in this cacophonous novel which, alongside Romy, features the voices of fellow inmates to give a rare insight into America’s punitive justice system.

Critic: The final pages are likely to leave you in tears.

Kushner revels in her characters’ vitality, showing how they work the system to their advantage by exploiting every loophole.

Chance of winning: 7/1

. The Overstory by Richard Powers (published by Cornerstone for £18.99)

The Overstory

PLOT: Multiple stories make up this epic, centuries-spanning environmental novel in which a wide cast of characters, from a Vietnam vet to a party-loving undergraduate, are brought together across time and space through their shared determination to save America’s last remaining acres of virgin forest.

Critic: Powers, always a writer of big ideas, has dropped one of the most thoughtful and involving popular novels that you are likely to have read for years.

There is a great deal of evangelism to absorb.

Chance of winning: 5/2

. The Long Take by Robin Robertson (published by Picador for £14.99)
The Long Take

PLOT: Not a novel, but a 223-page-long narrative poem. This is the story of Walker, a Canadian D-Day veteran with post-traumatic stress disorder who, after the war goes across the U.S. in search of work – and himself.

Critic: Robertson’s The Long Take shows it is perfectly possible to write poetry which is both accessible and subtle.

It builds to a bravura climax but lacks the pace to carry off pages of exposition.

Chance of winning: 4/1

– The Man Booker Prize winner will be announced on October 16

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Arts, Books, History, Literature

(Biography) Book Review – Thomas Cromwell: A Life

REVIEW

IT is generally through Hilary Mantel’s inspiring and prize-winning novels, such as Wolf Hall and Bring Up The Bodies, that most people today have come to know the Tudor politician Thomas Cromwell. TV adaptations of the books, through the glowering performances of Mark Rylance, have also added to our understanding of Cromwell’s character.

But, what kind of man was the real, historical Cromwell? Six years in the making, Diarmaid MacCulloch’s monumental biography attempts to answer that question in painstaking, and even in excruciating and fine detail.

It comes as no great surprise that some of the most memorable scenes in Wolf Hall have no basis in fact. Novelists do that as they are prone to make things up.

The book’s opening sequence has a young Cromwell taking a terrible beating from his father. Not true, according to MacCulloch. There is no real evidence that the father was a brutal bully. There is little record of Cromwell’s early life at all. He was a little-known and obscure brewer’s son from Putney.

What is striking is how often and how closely Mantel did follow the historical record.

Cromwell’s most notable trait was his ruthlessness in pursuit of power. Both novelist and biographer make that abundantly clear. He achieved it because he found a solution to what was known as “The King’s Great Matter”.

Henry VIII had decided that he had breached a biblical prohibition in marrying Katherine of Aragon, who had been his deceased brother’s wife. The lack of a male heir was proof of God’s wrath.

Henry’s eagerness to annul his marriage was increased by his passion for Anne Boleyn. Unexpectedly, Anne insisted that she would not share Henry’s bed unless she was his wife. (Her sister Mary, an earlier lover of the king, had displayed no such scruples.)

It was Cromwell who found a way to fulfill the King’s wishes. He smoothed the path to Anne’s royal marriage.

Yet, when she also failed to produce a male heir, he turned on her. Anne already resented her husband’s chief minister. She was heard to say that she would see “his head off his shoulders”.

But it was Cromwell who saw her to the scaffold. Henry already had his eye on a young noblewoman named Jane Seymour.

He complained that “he had been seduced and forced” into marriage with Anne “through spells and charms”. The speed with which Anne was toppled is remarkable. Cromwell was behind charges, almost certainly untrue, of adultery. She was even accused of incest with her brother.

She was executed in the Tower in front of a thousand spectators. Prominent amongst them was her nemesis, Thomas Cromwell. Eleven days after her death, Henry married Jane Seymour.

Throughout this biography, MacCulloch suggests an element of sadism in Cromwell’s character that is absent in Mantel’s depiction. He recommended the torture of a prisoner with the words, “pinch him with pains”.

When he heard that some monks from the London Charterhouse had died in Newgate prison, he was furious. He swore that he’d had something far more unpleasant in mind for them.

Cromwell’s own tragedy was that he served a master even more ruthless than he was.

Mantel will tell of her hero’s downfall in the third, as yet unpublished, volume of her trilogy.

MacCulloch’s final chapters show Henry’s willingness to cast off his chief minister as soon as his usefulness came to an end.

Anne of Cleves was the unwitting catalyst of his downfall. After the death of Jane Seymour in childbirth, Cromwell was determined that the King should next marry a German Protestant. Anne fitted the bill.

Unfortunately, when she arrived in England, Henry was appalled by her.

To his embarrassment, he couldn’t make love to her either on his wedding night or on any succeeding night. Cromwell had to face the fact that “his own protracted diplomacy had resulted in the King’s humiliation”.

Even worse, Henry came to believe that his chief minister was gossiping about his problems between the sheets. Cromwell was doomed.

 

HE was arrested on June 10, 1540. From prison, he wrote to the King, ending his letter with the words, “I cry for mercy! mercy! mercy!”

The only mercy he was given was the privilege of being beheaded rather than facing burning at the stake (for heresy) or hanging, drawing and quartering (for treason).

Even then, one account suggests that the executioner botched the job and took several swipes of the axe to kill him.

On the very same day that Cromwell died on the scaffold, Henry married his fifth wife, Katherine Howard.

There is a paradox at the heart of this epic work of scholarship. Despite the relentless accumulation of detail, Thomas Cromwell himself remains a mystery. He is as unknowable at the end of the book as he is at the beginning.

It might even need a novelist of Mantel’s exceptional gifts to bring such an enigmatic character fully to life.

‘Thomas Cromwell: A Life’ by Diarmaid MacCulloch is published by Allen Lane for £30

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