Category Archives: Literature

Arts, Books, Environment, Literature

Climate fiction is extolling the real threats the planet faces

LITERATURE

Intro: A newly created award recognises the power of storytelling to address the biggest issues of our time

PAUL MURRAY, author of the bestselling novel The Bee Sting, told a media audience recently that no novelist should ignore the climate emergency: “It is the unavoidable background for being alive in the 21st century.” In recognition of the essential and vital role of literature in responding to the Anthropocene moment, the inaugural shortlist has just been announced for the Climate Fiction prize.

The five novels include “Orbital” by Samantha Harvey, set during one day on the International Space Station (and the winner of last year’s Booker prize); time-travelling romcom “The Ministry of Time” from debut novelist Kaliane Bradley; eco-thriller “Briefly Very Beautiful” by Roz Dineen; “And So I Roar”, about a young girl in Nigeria, by Abi Daré; and a story of migrants in an abandoned city in Téa Obreht’s “The Morningside”. All the shortlisted authors are women.

Climate fiction is not new. Some of the landmark literary novels to have taken on the crisis include Margaret Atwood’s MaddAddam dystopian trilogy, Cormac McCarthy’s post-apocalyptic The Road, Barbara Kingsolver’s Flight Behaviour, and Richard Power’s Pulitzer-prize-winning The Overstory. Science fiction, inevitably, has become the genre of ecological catastrophe, with hits like Kim Stanley Robinson’s “The Ministry for the Future”, with all the inhabitants of a small Indian town perishing in a heatwave.

The late Ursula K le Guin wrote that the task of sci-fi was “to extrapolate imaginatively from current trends and events to a near-future that’s half prediction, half satire”. The purpose of the realist novel is to reflect the world in which we live. For a long time, the possibilities of environmental breakdown were largely considered too wild and extreme for the realism. As a consequence, climate fiction hasn’t been taken seriously enough. In “The Great Derangement” in 2016, Amitav Gosh argued that the failure of so many novelists, including himself, to address the most urgent issue of the age was part of a broader cultural failure at the heart of the climate crisis itself.

Freakish and abnormal weather events are no longer the essence of speculative fiction – “global weirding” is upon us. What was once dubbed “cli-fi” is simply contemporary fiction. Ecological anxiety is as much a part of the fictional worlds of a young generation of novelists like Sally Rooney as the internet and mobile phones.

The novels on the Climate Fiction prize shortlist do not conform to dystopian stereotypes. Some aren’t even explicitly about the crisis. Some are hopeful. Far from being a portrait of a world ravaged by disasters, Orbital, for example, is a hymn to the awe-inspiring beauty of our planet.

It could be argued that having a Booker prize winner on the shortlist suggests there is no need for a specific award, which might marginalise climate fiction as a niche genre. There is no shortage of literary gongs. “The Wainwright prize”, set up in 2014 to celebrate the best nature books, now includes an award for writing on global conservation.

Yet awards amplify the message and reach of books that might otherwise be overlooked. Scientists have been cautioning about global warming’s dire consequences for decades. Governments and industry haven’t listened. Now novelists are taking up the challenge. Stories can create an impact far greater than data alone. They can inspire change. In a world where reality has become stranger than fiction, this new accolade is necessary and important. There can be no bigger story.

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Arts, Books, History, Literature, Scotland

Scottish author says Shakespeare got Macbeth wrong

SHAKESPEARIAN TRAGEGY

AS generations of pupils learned in English classes, Lady Macbeth, the cold-hearted, scheming villain who casts her dark shadow over one of literature’s most famous plays, and driven by a lust for power, persuaded her weak-willed husband to commit murder most foul.

Yet, according to one of Scotland’s illustrious top crime writers, Shakespeare got the tragedy of Macbeth all wrong.

Novelist Val McDermid – with a helping hand from former First Minister Nicola Sturgeon – has written a book exploring the real story of the woman who became Queen Macbeth, first Queen of Scotland.

And part of her aim, she says, is “setting Shakespeare straight”.

According to the Bard of Avon, the Macbeths are motivated by merciless ambition which ultimately leads to their downfall. Their tragedy stems from their decision to seize the throne by killing King Duncan while he is asleep.

But McDermid, whose novels have sold more than 19 million copies and been translated into more than 40 languages, recasts the tale in a feminist light – as a historical romance seen from the perspective of a strong and determined woman fighting for life and love.

As befits a crime writer, the book contains a major plot twist. But in a departure from the gritty “tartan noir” genre for which she is highly acclaimed, McDermid also ventures into the realm of erotic fiction.

In the author’s notes at the start of the book, she claims the Macbeths were “not the power-hungry bloody tyrants that Shakespeare wrote of in his Scottish play”.

And in highlighting other inaccuracies, she says: “For a start, Macbeth wasn’t even his name – it was Macbethad. His wife wasn’t Lady Macbeth – she was Gruoch. If he couldn’t get their names right, how can we trust anything else he tells us?”

She also claims the Elizabethan playwright made an error about the death of King Duncan. “Yes, Macbeth did kill Duncan, but it was on the field of battle, not in the dead of night when Duncan was a guest in his castle.”

Queen Macbeth, to be released shortly, tells the fictionalised life-story of Gruoch Ingen Boite, who is forced into a loveless arranged marriage, but finds true love with a nobleman called Macbeth. In the acknowledgements, the author thanks her friend and fellow book lover Ms Sturgeon, “whose animated dinner conversation resolved an awkward plot point for me”. She added: “It’s amazing how a few glasses of red wine release the imagination…”

The novel contains echoes of Shakespeare but imagined from a feminist perspective. The witches who prophesy Macbeth’s doom are replaced by three women – a healer, weaver, and a seer – whose powers make the men of mediaeval Scotland deeply suspicious.

The tale starts with Gruoch and her companions fleeing from plotters who believe she stands in the way of their ambition for power.

As the narrative develops, Gruoch recalls the stirrings of her love for Macbeth, including a racy description of their first moment of intimacy, saying: “Where our bodies touched it was like a lick of flame running through me.”

Shakespeare’s Lady Macbeth encourages her husband to commit murder, but McDermid’s version urges caution when Macbeth considers revenge against a rival, saying: “Better to be slow than to shed innocent blood, surely?”

The book is part of Polygon’s Darkland Tales – dramatic retellings of key moments from Scottish history, myth, and legend.

Pre-publication publicity promises McDermid will reveal “a new Lady Macbeth, bringing a schemer in the shadows out into the light and exposing the patriarchal prejudices of history.”

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Arts, Literature

Secrets of the heart

YOU MAY KNOW NOT

HE was a deeply unpleasant man. He brought out the worst in many people. It was clear to see.

One day I asked him to tell me about his childhood and he ridiculed the idea that there was anything to be learned that way. Then he agreed to tell me one story of no importance or significance.

While emphasising its irrelevance, he told me the one thing that explained everything about him. My heart still breaks when I think of the loss he so flippantly described.

It reminded me of the words Henry Wadsworth Longfellow wrote in “Hyperion: A Romance”:

“Every heart has its secret sorrows, which the world knows not, and oftentimes we call a man cold, when he is only sad.”

UNCREDITED WORDS OF WISDOM

“Some stranger somewhere still remembers you were kind to them when no-one else was.”

Those are uncredited words of wisdom read on the internet.

The sentence will probably mean different things to different people in circumstances known to them. But it reminds me of a man I met in a church café. He insisted we’d met before, even though I had no recollection of it. He told me he was doing well, working, of good health, and much happier. It was good to hear, but I was still wary.

“That was a powerful talk we had back then. Those words made the difference,” he told me.

“Remind me,” I prompted, still unsure of him.

“You said, ‘Just because you’re down doesn’t mean you’re out’. I remembered those words and built on them over the years. You gave me hope.”

Not such profound words that they actually stayed with me, but they would have been honestly meant. Whatever kindness was contained in them meant they could go on and do their work after I had left.

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