Arts, Britain, Broadcasting, History, Society, United States

The Beginning of Radio Broadcasting

SHORT ESSAY

THE FIRST EXPERIMENTAL radio broadcasts were made in Britain in 1921. They led to the formation a few months later of the British Broadcasting Company (later Corporation). This was at the instigation of the General Post Office (GPO), who wanted to see the formation of a single consortium of wireless equipment manufacturers and broadcasters, specifically to avoid the major confusion that had arisen in America, where there were 500 rival stations. The new Company worked under John Reith, an engineer from Aberdeen who was the company’s general manager for its first 16 years. Under Reith’s leadership, the BBC became a major national institution. The broadcasts were entirely live, and Reith insisted on a high level of formality, in spoken English, behaviour and dress, traditions which have unfortunately been thrown to the four winds in recent years.

The London broadcasting station, known as 2LO, went on the air on 14 November 1922 as the British Broadcasting Company. A news bulletin was read by Arthur Burrows of the Marconi Company. The initial broadcasts were fairly short, but soon lengthened to four hours a day of news, talks and concerts.

The BBC was supported financially by licence fees paid for by the users. They had to pay ten shillings a year (50 pence) for the privilege of operating a receiver. The same system was used when television was introduced, also by the BBC.

At the same time in America, the first commercial radio was being broadcast. The New York Station, WEAF, broadcast the first radio commercials. This different approach to broadcasting was to become the set pattern in America – private control of the airwaves and programmes dominated by sponsors. The radio pioneer Lee Dee Forest asked, “What have you done with my child? You have sent him out on the street in rags of ragtime to collect money from all and sundry. You have made of him a laughing stock of intelligence, surely a stench in the nostrils of the gods of the ionosphere.”

In 1923, the BBC began publishing its magazine, the Radio Times, so that listeners would know in advance what programmes were to be broadcast; this too became a long-continuing practice.

By 1926, radio ownership in the United States reached 3 million; most of these radios required listeners to wear earphones. In 1926, NBC (the National Broadcasting Company) was founded by David Sarnoff; this ambitious project had nine stations.

John Reith

Sir John Reith, Lord Reith of Stonehaven (1889-1971) was General Manager/ Managing Director, British Broadcasting Company 1922-1927 and then the first Director-General of the newly-incorporated British Broadcasting Corporation.

The first experiments with television followed hard on the heels of radio. It was in 1926 that John Logie Baird gave his first public demonstration of television, but the system he used was based on the rotating disc invented by van Nipkov in 1886 and had serious limitations. Television had its first American demonstration in 1927 in the auditorium of New York’s Bell Telephone Laboratories. Walter Gifford showed a large audience commerce secretary Herbert Hoover while at work in his Washington office while Hoover’s voice was transmitted over telephone wires. The development of television was seriously inhibited by the fact that it needed a frequency band of 4 million cycles compared with only 400 for a radio. This was because of the need to transmit 250,000 elements required to build a clear picture on the screen.

The first regularly scheduled TV programmes started on 11 May 1928. General Electric’s station in New York broadcast the first programmes.

Another contributing development was the invention of the first tape recorder. The Blattnerphone designed by the German film producer Louis Blattner used magnetised steel tape. Blattner himself used his invention to supply synchronised soundtracks to the films he was making at Elstree Studios. The BBC saw straight away that the tape recorder was going to be invaluable to them, not least for making recorded programmes, and acquired the first commercially produced Blattnerphone in 1931.

Both radio and television continued to develop. In America, 75,000 radio sets were sold in 1921; by the end of the decade sales had increased to over 13 million. It had become a major communicator. It had also become big business. US advertisers were spending an incredible 60 million dollars on radio commercials alone.

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Arts, Books, Britain, Literature

Book Review: Padre, Prisoner and Pen-Pusher

Howson

Intro: The World War One Experiences of the Reverend Benjamin O’Rorke

THERE are few army chaplains that had as varied a career during the First World War as the Reverend Benjamin O’Rorke. A regular Padre who had seen service in the Boer War he was mobilised along with 54 other chaplains at the start of hostilities. He was deployed to France with 4 Field Ambulance where he was taken prisoner by the Germans at the end of August 1914. He was repatriated in July 1915 and wrote a book of his experiences. Returning to France he served as frontline chaplain before being posted to serve as a staff chaplain to the Deputy Chaplain General.

Posted back to the UK in June 1918 he died on 25th December 1918 during the flu epidemic. The central part of the book is a transcription of the diary he kept during January to June 1918.

At the heart of the chaplaincy administration on the Western Front he recorded an inside view of how chaplains were thinking, particularly about post-war British society. His notes include record of sermons preached throughout the war which give a fascinating record of one chaplain’s perspective on the developing war. The book puts the experiences of Ben O’Rorke within the context of chaplaincy during the First World War.

This book will appeal to all who are interested in how a regular army chaplain coped with mobilisation, life as a prisoner of war, and then of the ever-lengthening war. It provides information on the large number of chaplains with whom he came into contact whilst keeping the diary. As well as an introduction and notes to explain the diary and other writings there is a discussion about the value of chaplains’ diaries and letters in understanding the First World War.

Padre, Prisoner and Pen-pusher is published by Helion & Company (2015), 164pp

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Arts, Britain, Films

BAFTA 2020 Highlights

PRINCE William revealed his anger at the BAFTAs on the lack of diversity among this year’s BAFTA nominees.

He announced a “full and thorough review of the entire nomination process”.

The prince, who is president of the academy, raised his concerns after all 20 stars nominated for acting gongs were white – and the shortlist for best director was all-male.

At the Royal Albert Hall, he said: “Both here in the UK and many countries across the world we are lucky to have incredible film makers… Men and women from all backgrounds and ethnicities enriching our lives through film.

“Yet in 2020 and not for the first time in the last few years we find ourselves talking again about the need to do more to ensure diversity in the sector and in the awards process. That simply cannot be right in this day and age.” He also appeared to refer to productions such as The Crown when he added: “I don’t know whether I should be proud or slightly alarmed of the winners over the last decade who have portrayed members of my own family.”

The all-white nominations in the actor, actress, supporting actor and supporting actress categories come four years after BAFTA chief executive Amanda Berry said she wanted the awards to be as “diverse as they possibly can be”.

Best film went to 1917, and Sam Mendes its director won the BAFTA Director award. Joaquin Phoenix won the Best Actor in Joker and the Best Actress Award went to Renee Zellweger in Judy.

Original Screenplay went to Parasite, with Jojo Rabbit winning the award for Adapted Screenplay. Michael Ward, star of Blue Story, won the award for Rising Star.

Supporting Actor was won by Brad Pitt, in Once Upon A Time In Hollywood, with Supporting Actress going to Laura Dern, for her part in Marriage Story.

. See also Film Review: 1917 (cert 15)

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