Artificial Intelligence, Christianity, Religion

Does AI really have the answers to the truth?

OPINION

Intro: ChatGPT may relieve its users of discomfort, but in doing so robs us of contemplation, of the holy ground between question and answer

Any Individual person of faith raised in a religious setting such as the home will have a fairly clear picture of what prayer means. Prayer is the practice by which we draw closer to God, petition for our needs and desires, request guidance, and seek forgiveness.

For many, the deal has always been that in times of trouble we cast our anxieties and questions and emerge with either some answers or some sustaining sense of peace. Take it to the Lord in prayer, the well-known Christian hymn goes.

It may be unclear when a question becomes a prayer, although that may have less to do with the content of the question and more to do with our expectations in asking it.

I would hope that no one has ever thought of ChatGPT as a god – and clearly, some users don’t even think it’s good according to critical reviews – nor would I hope that anyone has ever asked its forgiveness. Nonetheless, in moments of confusion, I would suspect people have called upon its name for answers almost compulsively.

In a typical example, this might have been limited to things like searching for recipes and experimenting with its abilities in areas such as poetry. Then – with playful irony – we might began asking for its read on our relational dynamics, our habits, or even what the future might hold for us.

While we should remain rationally aware of its hallucinations (because that’s what they are in AI parlance) and lack of moral obligation, there is a powerful belief that it will have something real to offer in these moments. Whatever our claim to believe about it, we will no doubt find ourselves soothed by the tidiness of a five-bullet-point plan and the imitation of a reassuring voice. It offers guidance that at least sounds certain, even if this certainty is synthetic.

Why would a Christian – in theory, on speaking terms with God – turn to a robot with her questions? Because at least this god answers, you might think. But saints and mystics would smile at that response.

The Christians of history most celebrated for their wisdom and understanding have often been those most familiar with God’s silence, not His chatter. His silence became another form of communion, His perceived absence another kind of presence.

Simone Weil, a 20th-century mystic and philosopher, famously defined prayer as attention. In a letter to her priest and mentor, included in a collection titled Waiting for God, Weil speaks of prayer as the “orientation of all the attention of which the soul is capable towards God”.

Her original French language makes plain a secret. The French word for attention, spelt the same way as the English, is closely linked to the word for waiting, attendre. The collection’s title, Attente de Dieu, or Waiting for God, bears the same secret: decent prayer is mostly just waiting.

No wonder, then, there is a temptation to turn to ChatGPT. The unbearable wait is exactly the burden that its instantaneous answers promise to lift. So anxious have people become of this burden that even a false certainty becomes preferable to the discomfort of not understanding.

Another piece of etymology is illuminating here. The lives of mystics like Weil were marked by a practice of contemplation, as is the prayer life of many Christians.

To contemplate is, of course, not to conclude, but rather to deeply consider, reflect, observe. But at the Latin root of the word “contemplation” is literally the word “temple”. It is as if the gap between our question and its answer is a place made sacred by exactly the unknowing that produces our discomfort.

When ChatGPT unhesitatingly grants answers to questions of faith, this is the space it is invading. Not only does it satisfy us with a false sense of security, but the satisfaction it offers is its own kind of deprivation. The machine relieves us of our discomfort, but in doing so, deprives us of our waiting. Its bullet points assault our silence. It robs us of contemplation, of the holy ground between question and answer.

For the mystic, this space of contemplation had much more to do with seeking than finding. Lingering in this gap yielded its own treasures: a character marked by patience and wisdom; a deeper capacity for compassion; a familiarity with the mysteries that, for all our searching, resist simple answers; a contentment insulated from the storms of circumstance.

Whether or not we call it holy or sacred, the gap between our questions and answers is charged with this potential. To allow – even, to plead with – a bot to hustle us from it prematurely is to forego its treasures.

Coded for certainty rather than mystery, ChatGPT is ill-equipped to aid our search for truth. Perhaps instead we should do as the hymn says, and take it to the Lord in prayer.

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Arts, Books, Christianity, Natural History, Philosophy, Religion

The beehive tells us much about the soul

THE COMPLETE BEEKEEPER

Intro: The beekeeper at Douai Abbey has applied the wisdom of bee care to living well

During the vigil on the eve of Easter Sunday, the dark church is lit only by the Paschal candle (representing Christ, “Light from Light”, as the Creed says) and by the candles lit from it and held by those present. Then an ancient chant is sung by the deacon towards the candle, and in praise of it.

This chant, the Exsultet (“Rejoice”), written between 1400 and 1600 years ago, is of an astonishing poetical character. Its text refers to Adam’s sin as felix culpa, “happy fault that earned for us so great, so glorious a Redeemer”.

It speaks of “this candle, a solemn offering, the work of bees and of your servants’ hands”. But there should be another mention of bees – of the candle flame being “fed by melting wax, drawn out by mother bees to build a torch so precious”. The natural history may be awry in calling the female workers “mother bees”, but it is good to see them given due praise. Alas, some choose an abbreviated form of the Exsultent and the mother bees perished. To make up for that shortfall, a delightful new book is being published by Gracewing: The Complete Beekeeper by Dom Gabriel Wilson, OSB (Order of Saint Benedict).  

He has been Prior of the Benedictine Abbey of Douai in Berkshire since 2022, but its beekeeper since 2015. His tenure was a turning point in beekeeping history. He was in charge during the devastating Isle of Wight disease (now known to be caused by the Acarine mite) in the early 20th century, which wiped out the native British Black Bee. His writings capture a pivotal moment when beekeeping shifted from old-world methods to more scientific, selective breeding.

The book’s title mirrors The Compleat Angler, first published by Isaac Walton in 1653, which made the angler symbolise the ideal human being living a balanced life. Similarly, Dom Gabriel feels that “within the hive lives and moves an allegory for the sacred mysteries not only of nature, but of the human soul”.

The beehive speaks to the human heart, he suggests, not by logical syllogisms but by symbol. As Pascal wrote: “The heart has its reasons which reason does not know.”

Dom Gabriel notes that the social virtues of bees were recognised in the pre-Christian world. Virgil devoted a quarter of his poem the Georgics to bees as a model of a structured, co-operative, and selfless society. Today we still wonder: “Who taught the bee to make its wax hexagons, those most perfect forms? Who instructed her to gather nectar and guard her queen, to sacrifice herself to relentless work without any thought of reward?”

Nonetheless, The Complete Beekeeper is more than natural history or self-help; it is a contemplation of spirituality. “To keep bees is … a form of devotion, akin to an intimate spiritual practice that mirrors the tending of one’s inner life.”

The author’s experience at the beehive informs this meta-science: which, governs the care of the faculty for living well – the soul. “Each hive is its own living universe. Within its wooden walls, thousands of bees work in miraculous harmony: foraging, building, cleaning, dancing, feeding the queen, and protecting the whole. So too is the soul made up of countless thoughts, memories, desires, and instincts.”

The Complete Beekeeper taps inherited wisdom. It quotes poets such as Coleridge and Hopkins, and masters of the spiritual life such as St John of the Cross, and, naturally, St Benedict. It critically considers philosophers such as Plato, Seneca, and Sartre – and of course cites beekeepers, in peace and war.

The work of making one’s soul is deadly serious, but it should not be anxious. “Bees are not tame creatures; nor is the moral life a safe one. But it is, in the end, very beautiful and full of joy.” Underneath is a confidence in the ultimate goodness of the world, which, like the garden where the beekeeper tends his hives, knows how to bud and mend, grow and yield again.

Throughout the text, Wilson weaves in the Benedictine philosophy of stewardship. He advocates for a “gentle hand,” suggesting that the best beekeeper is one who works with the bees’ instincts rather than fighting against them. This philosophy – known as the “Buckfast” philosophy – of breeding for docility and productivity became the hallmark of the Buckfast Bee.

Many associate Buckfast Abbey primarily with Brother Adam (the creator of the Buckfast Bee), but it was actually Dom Gabriel who served as the Abbey’s head beekeeper before him. The bigger picture of the book implies that if Brother Adam was the “architect” of the Buckfast Bee, then Dom Gabriel was the “master builder” who cleared the ground. The analogy should not be overlooked.

   

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Arts, Christianity, Culture, Poetry

TS Eliot’s ‘Ash Wednesday’

ASH WEDNESDAY

Intro: The prayers of Lent are a key guide to Eliot’s obscure sequence of poetry

Sometimes, people read TS Eliot’s sequence of six poems, Ash Wednesday, in the hope of better understanding this first day of Lent in the Western Christian Church. The poem is meditative and pivotal which marks his conversion to Anglicanism, and chronicles a journey from spiritual despair to tentative faith. 

Structured around the Lenten season, the poem moves through themes of repentance, purgation, and the desire for divine, transcendent love amidst the emptiness of modern life.

Knowledge of Ash Wednesday – and the rest of Lent – which falls on February 18 this year, is a prerequisite to understand Eliot’s poetry.

Ash Wednesday is obscure. It begins: “Because I do not hope to turn again.” This is a quotation from Guido Cavalcanti, who died in 1300, a friend of Dante’s. How the reader is meant to know that, I’m not sure.

The words had been translated by Dante Gabriel Rossetti in 1861, as: “Because I think not ever to return”, a reference to Cavalcanti’s exile from Tuscany. But Eliot knew that “to turn again” is an aspect of repentance, as the Authorised Version of the Bible in 1611 translated the Greek word metanoia, “change of mind”, found in the New Testament. The Ash Wednesday Epistle, from the prophet Joel, begins: “Turn ye even to me, saith the Lord, with all your heart.”

In St Mark’s Gospel, the first words of Jesus are: “Repent and believe the gospel,” and those are now one of the forms of words to accompany the imposition of ashes on Ash Wednesday. But in Eliot’s day the Latin formula was: Memento, homo, quia pulvis es, et in pulverem reverteris, “Remember man, that thou art dust and unto dust thou shalt return.” In his poem, Eliot, with his Cavalcanti quotation, picks up both the return to dust and the turning again or repentance.

In Ash Wednesday, Eliot incorporates unsignalled quotations from church prayers. In a letter to Bishop George Bell of Chichester in 1930, Eliot addressed Ash Wednesday’s obscurity: “Most of the people who have written to say that they couldn’t understand it seemed to be uncertain at any point whether I was referring to the Old Testament or to the New; and the reviewers took refuge in the comprehensive word “liturgy”. It appears that almost none of the people who review books have ever read any of these things!”

In Part I of Ash Wednesday Eliot quotes the popular Catholic prayer, the Hail Mary.

In Part II he uses the question “Shall these bones live?” to make reference to the extraordinarily vivid passage in Ezekiel 37, where dry bones are reclothed in flesh and live.

In Part III, on the stairs, he ends with, “Lord, I am not worthy”, a prayer in the Mass before Communion: “Lord, I am not worthy that You should enter under my roof; but only say the word, and my soul shall be healed,” an echo of the Centurion’s words in Matthew 8:8.

In Part IV, “And after this our exile” is taken from a medieval prayer, the Salve Regina, where Mary is asked to “Show unto us the blessed fruit of thy womb, Jesus.”

In Part V, “O my people, what I have I done unto thee” is taken from the Improperia or Reproaches in the Good Friday liturgy, based on the prophet Micah (5:3).

In Part VI, the last line, “And let my cry come unto Thee” is also in the Good Friday liturgy, from Psalm 102 (101 in the Vulgate) – in Latin: Domine, exaudi orationem meam, et clamor meus ad te veniat.

Before that, Eliot puts a line, “Suffer me not to be separated”, which is from the 14th-century prayer Anima Christi (taken up by Ignatius Loyola, founder of the Jesuits). The context is: “Within Thy wounds hide me /Suffer me not to be separated from Thee.”

All these would have been very familiar to a practising Roman Catholic, less so to most Anglicans and utterly unfamiliar to the leading critics of the 1930s.

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