Arts, History, Philosophy

(Philosophy): Voltaire

THE LIFE OF VOLTAIRE (1694-1778)

VOLTAIRE was the pen name of Francois-Marie Arouet, a prolific writer and philosopher whose vast oeuvre contained multiple literary forms including plays, poetry, novels, essays, historical and scientific works, over 21,000 letters and over 2,000 books and pamphlets. Many of his most popular prose works were in the form of swashbuckling, episodic, courtly romances. These were often written as polemics and contained scathing prefaces explaining the author’s motives.

Voltaire’s best-known work, Candide (1759), was constructed around a sustained and withering attack on the philosophy of Gottfried Leibniz and ironically satirises Leibniz’s particular brand of philosophical and moral optimism. Although regarded in some quarters as holding somewhat cynical views on human nature, Voltaire nonetheless believed that humans could find moral virtue through reason and that reason allied to observation of the natural world was sufficient to determine the existence of God.

Voltaire’s principal philosophical works are contained in his Dictionnaire Philosophique (“Philosophical Dictionary”), published in 1764, which was comprised of articles, essays and pamphlets attacking the French political establishment and in particular the Church. Among the many civil causes Voltaire advocated in his essays were the right to a fair trial, the freedom of the press, freedom of speech, and tolerance of other religions. He also sought to expose and denounce the hypocrisies and injustices he saw as inherent in the ancien régime, the social and political structure of France between the fifteenth and eighteenth centuries. The ancien regime, for Voltaire, was predicated on an imbalance of power, loaded firmly in favour of the clergy and noble aristocracy at the expense of the commoners and middle classes who were suppressed by crippling and corrupt systems of taxation. As the Church seemed to be not only complicit in this corruption and injustice but also a principal part of the state apparatus, the clergy naturally bore the brunt of Voltaire’s ire. Deeply opposed to organised religion, Voltaire was highly critical of the Church in Rome, and even held the view that the Bible was an outdated legal and moral reference guide, citing it was the work of man and not the inspired word of God.

There were, however, some curious inconsistencies in the radical positions that Voltaire chose to adopt. Capable of constructing impassioned and erudite arguments for the establishment of a constitutional monarchy in one essay, Voltaire would then reject the tenets of democracy for providing a voice to the ill-informed and ignorant masses in his next essay. Like Plato, Voltaire reviewed the role of the monarch in society from a position of modified absolutism – a system whereby the king or queen rules under the guidance of a group of appointed advisers who have the best concerns of the kingdom and its subjects at heart, for it is in the intertest of the monarch to ensure wealth and stability in society at large.

Voltaire’s oft-quoted assertion that “If God did not exist, it would be necessary to invent Him” has led to the misconception that he was an atheist. In fact, despite his opposition to the Church, Voltaire believed in God and built his own private chapel. The quote given is taken from one of Voltaire’s polemical poems, Epistle to the Author of the Book, The Three Imposters, and can be taken to mean that the central question of the existence of God is largely immaterial, as many civilisations have created gods to explain natural phenomena. As a follower of deism, Voltaire rejected the mysticism and strictures of religious teaching, believing that reason and nature provide the basis for spiritual beliefs: “It is perfectly evident to my mind that there exists a necessary, eternal, supreme, and intelligent being. This is no matter of faith, but of reason.”

Voltaire is best known for his memorable aphorisms. One of the most oft-cited quotations attributed to Voltaire about freedom of speech – “I disapprove of what you say, but I will defend to the death your right to say it” – is, however, totally apocryphal. It was actually written by the English writer Evelyn Beatrice Hall in her 1906 biography of Voltaire, The Friends of Voltaire.

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Arts, Christianity, Culture

The Book of Proverbs: Down-to-earth advice

BE KIND, BE CAREFUL

A narrative from Proverbs

MOST Western people tend to be cautious when it comes to giving money or sharing possessions. Finding the balance between being generous or foolhardy on the one hand, and selfish and uncaring on the other, is not easy.

The Book of Proverbs in the Old Testament, which contains hundreds of pithy sayings about wisdom and daily life, suggests two principles to inform our actions. One is to help the poor. Under no circumstances are we to take advantage of them (22:22). To pour scorn on them is to insult our Maker (17:5) while being kind to the poor is like lending to God (19:17).

This is echoed in Jesus’ parable of the sheep and the goats (Matthew 25:31-46) in which acts of kindness to others are in fact done to God.

It is unwise to withhold good from those who deserve it (3:27), but wisdom requires more than just being nice to nice people. “If your enemy is hungry, feed him” (25:21,22) was directly quoted by Paul in Romans 12:20 and alluded to by Jesus in Luke 6:27-30. If nothing else, it makes black deeds even worse, which is the meaning of “heaping coals of fire on their heads”.

The second principle is that while love may be blind, wisdom isn’t. Proverbs draws the line of generosity at standing surety for someone else or “you will surely suffer” (11:15). It even urges the person who has already underwritten a deal to free themselves from it even if it humiliates them to do so (6:1-5).

It is worth asking why. Human nature probably relaxes when it knows that it is not ultimately responsible for a debt or agreement. It is easy to default after a while. Wisdom acts responsibly, but it is encouraging responsibility in others, too.

GOD BE IN OUR UNDERSTANDING

PROVERBS assumes the spiritual dimension. Scattered through the book are reminders that “the fear of the LORD is the beginning of wisdom” (1:7). Faith is like a fountain keeping our life fresh and productive (14:27). Respect for and worship of the LORD must always be present.

With the prophets, Proverbs asserts that sacrifice without faith is detestable to a God who looks for inner truth rather than outward conformity (15:8,26). Therefore we should confess our sins in order to find mercy (28:13) and accept God’s “discipline” as a means of spiritual growth (3:11). Only then will we be sure of receiving his guidance through the maze of life (3:5; 19:21).

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Arts, Books, Literature, Poetry

Poetic gifts of comfort and joy

POETRY COLLECTIONS

A TIME of “comfort and joy” doesn’t always deliver either, which is why some people (more than one might expect) turn to poetry for consolation and confirmation. You may ask why that is the case. It is because many discover that our longings are universal, and our pain is not unique. A poetry book can be a gift of healing.

Rachel Kelly’s anthology You’ll Never Walk Alone: Poems For Life’s Ups And Downs (published by Yellow Kite), is the perfect guide. A true evangelist for poetry as an aid to emotional wellbeing, the mental health campaigner begins, “Words can be a way to make sense of our feelings”. She divides her choices into the four seasons – representing moods of sadness, hope, joy and reflection. The range is engaging, offering old favourites such as Keats and Derek Walcott, as well as songs and new writers.

Kelly follows each poem with a beautifully concise explanation which will be welcomed by anyone unaccustomed to reading poetry. Fresh delight is also brought to those who encounter familiar poems anew. The whole book is an essential companion.

Padraig O Tuama has a similar idea with his anthology Poetry Unbound: 50 Poems To Open Your World (published by Canongate). His choices are “sometimes exploring common ground, sometimes not”, and are drawn from a very wide range of nationalities and cultures.

Based on the popular podcast of the same name, this collection is more for the experienced poetry lover, although O Tuama’s expansive and deeply personal essays about each poem are very helpful. As he explains, “The poems have become like friends I turn to and return to.”

He doesn’t really structure his choices and most of the poems offered will not be familiar. It is a journey of discovery; an anthology that provides a challenge on every page as well as a wealth of frank autobiographical material from the Irish poet, teacher and theologian.

Either of these books is a gift from all the poets to each individual reader. They reassure us that there is nothing strange in our feelings, and that joy can flicker when you are least expecting it.


Book Review and Synopsis Berlin by Sinclair McKay (published by Viking, 464pp)

IF THERE was a focal point for the history of the twentieth century, then Berlin was it. The city had a central role in all of the country’s defining conflicts: both World Wars and the Cold War. Its citizens endured, in the words of Sinclair McKay, “an unending series of revolutions, a maelstrom of turmoil and insecurity”. And yet it survives.

It didn’t look that way in 1945 as Allied bombs reduced it to rubble and Soviet soldiers raped, slaughtered and pillaged, exacting revenge on the ordinary people of Hitler’s Germany for their years of complicity.

With unburied bodies strewn through its streets and mass suicides by Berliners who saw no future for themselves, its fate seemed to encapsulate “all the nihilist horror of that sad century – mass death without meaning on an unimaginable scale”.

And then, split in two, it became the pressure point for a new confrontation between Moscow and the West. If the world was going to end with a bang, the first sparks might well be here.

McKay, a stylish and elegant writer, tells all this with great panache and understanding, his research extensive, and his observations profound.

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